This thesis explores South African author K Sello Duiker\u27s The Quiet Violence of Dreams (2001) as a narration of personal and national trauma. This narration of trauma, as a disruption of the past in the present, provides insight to an imagination of recursive temporality. Through the temporal insights trauma introduces, it understands a shared history which is outside of modern, linear progression, a history which is always happening, not needing to prove itself but begging to be witnessed. It is this imagination of a collective, recursive history which translates, in the text, towards a decidedly decolonial witnessing
At the crossroads between theoretical reflections, autobiographical and fictional writings by the au...
Considering the work of the South African Truth and Reconciliation Commission (TRC), the criticisms ...
The histories of Southern African postcolonies which experienced decolonization and political transi...
This thesis explores South African author K Sello Duiker\u27s The Quiet Violence of Dreams (2001) as...
The novel, Life and Times of Michael K, depicts the individual memory that is socially produced base...
The histories of Southern African postcolonies which experienced decolonization and political transi...
Seit dem Ende der Apartheid etablierte sich der Begriff Trauma zunehmend in der südafrikanischen Ges...
Thesis (DPhil (Psychology))--University of Stellenbosch, 2006.South Africans are often subjected to ...
This paper examines the representation of the Rwandan genocide and its aftermath in Boubacar Boris D...
Cathy Caruth and Shoshana Felman’s pioneering work in trauma theory provided innovative critical fra...
The thesis explores the relationship between history, cultural memory and literature in relation to ...
After the end of apartheid in 1990 and the new constitution of 1994, the genre of the contemporary S...
ABSTRACT This thesis examines the representation of trauma and memory in six post-Apartheid plays. ...
Cathy Caruth and Shoshana Felman’s pioneering work in trauma theory provided innovative critical fra...
Even today, trauma theory remains indebted to Sigmund Freud’s notion of belatedness: a traumatic eve...
At the crossroads between theoretical reflections, autobiographical and fictional writings by the au...
Considering the work of the South African Truth and Reconciliation Commission (TRC), the criticisms ...
The histories of Southern African postcolonies which experienced decolonization and political transi...
This thesis explores South African author K Sello Duiker\u27s The Quiet Violence of Dreams (2001) as...
The novel, Life and Times of Michael K, depicts the individual memory that is socially produced base...
The histories of Southern African postcolonies which experienced decolonization and political transi...
Seit dem Ende der Apartheid etablierte sich der Begriff Trauma zunehmend in der südafrikanischen Ges...
Thesis (DPhil (Psychology))--University of Stellenbosch, 2006.South Africans are often subjected to ...
This paper examines the representation of the Rwandan genocide and its aftermath in Boubacar Boris D...
Cathy Caruth and Shoshana Felman’s pioneering work in trauma theory provided innovative critical fra...
The thesis explores the relationship between history, cultural memory and literature in relation to ...
After the end of apartheid in 1990 and the new constitution of 1994, the genre of the contemporary S...
ABSTRACT This thesis examines the representation of trauma and memory in six post-Apartheid plays. ...
Cathy Caruth and Shoshana Felman’s pioneering work in trauma theory provided innovative critical fra...
Even today, trauma theory remains indebted to Sigmund Freud’s notion of belatedness: a traumatic eve...
At the crossroads between theoretical reflections, autobiographical and fictional writings by the au...
Considering the work of the South African Truth and Reconciliation Commission (TRC), the criticisms ...
The histories of Southern African postcolonies which experienced decolonization and political transi...