Add to ORKGJackson critiques and discusses Haynes\u27 book on the history of early music performance
Promising new directions for performance research include: (1) firsthand experience with historical ...
Roland Jackson responds to Peter Holman\u27s review in the 2007 volume of Performance Practice Revie...
A brief review of Neumann\u27s last book, Performance Practice of the Seventeenth and Eighteenth Ce...
Jackson critiques and discusses Haynes\u27 book on the history of early music performance
Peter Holman discusses and critiques Roland Jackson\u27s Dictionary-Guide to performance-practice-re...
Contrasts the antihistorical, conceptualist attitude (treating the past as our conception of it) of ...
Since Clive Brown’s 1991 accusation that many twentieth-century manifestations of historical perform...
The paper summarises the lessons and conclusions of a large study of over 100 recordings of Johann S...
Although much valuable work has been done on performance practice in the Classic period, many issues...
Roland Jackson discusses and critiques the 2009 work of Maureen Epp and Brian E. Power. Epp, Maureen...
David Schulenberg discusses and reviews Walls\u27 2011 work. Walls, Peter, ed. Baroque Music, The Li...
Description of the Cambridge Encyclopedia of Historical Performance in Music: Recent decades have se...
The decade from 1980 proved to be truly significant in the development of historical performance, as...
This article explores the contentious position of improvisation in the contemporary Baroque music re...
Description of the Cambridge Encyclopedia of Historical Performance in Music: Recent decades have se...
Promising new directions for performance research include: (1) firsthand experience with historical ...
Roland Jackson responds to Peter Holman\u27s review in the 2007 volume of Performance Practice Revie...
A brief review of Neumann\u27s last book, Performance Practice of the Seventeenth and Eighteenth Ce...
Jackson critiques and discusses Haynes\u27 book on the history of early music performance
Peter Holman discusses and critiques Roland Jackson\u27s Dictionary-Guide to performance-practice-re...
Contrasts the antihistorical, conceptualist attitude (treating the past as our conception of it) of ...
Since Clive Brown’s 1991 accusation that many twentieth-century manifestations of historical perform...
The paper summarises the lessons and conclusions of a large study of over 100 recordings of Johann S...
Although much valuable work has been done on performance practice in the Classic period, many issues...
Roland Jackson discusses and critiques the 2009 work of Maureen Epp and Brian E. Power. Epp, Maureen...
David Schulenberg discusses and reviews Walls\u27 2011 work. Walls, Peter, ed. Baroque Music, The Li...
Description of the Cambridge Encyclopedia of Historical Performance in Music: Recent decades have se...
The decade from 1980 proved to be truly significant in the development of historical performance, as...
This article explores the contentious position of improvisation in the contemporary Baroque music re...
Description of the Cambridge Encyclopedia of Historical Performance in Music: Recent decades have se...
Promising new directions for performance research include: (1) firsthand experience with historical ...
Roland Jackson responds to Peter Holman\u27s review in the 2007 volume of Performance Practice Revie...
A brief review of Neumann\u27s last book, Performance Practice of the Seventeenth and Eighteenth Ce...