Both the Italian tempo indications in Purcell\u27s sonatas and the occasional English words in the fantasias imply differences of character as well as speed. The melodic and harmonic motion, and the presence of dissonance or chromaticism serve as superior guides to the finer nuances of speed and Articulation than does the examination of meter. Several of the apparent inconsistencies in Purcell\u27s tempo marks may be resolved when they are considered in the context of three categories--fast, moderate, and slow
NOTES INÉGALES IS A COMMON PRACTICE IN THE per- formance of French baroque music. It indicates that ...
Objective measures of musical tempo are linked to a particular metrical pulse, and this is most like...
As part of a collaborative project between the Staatliches Institut für Musikforschung Preußischer K...
During most part of Western classical music history, tempo, the speed of music, was not specified, f...
How to convey the desired tempo is a problem that every composer had to face before the invention of...
In reviews of recorded performances by others of Le sacre du printemps, Stravinsky contradicted his ...
RILM abstract: Crotch\u27s pendulum markings are an important source of information on English temp...
There is no standard concert hall repertoire in which lack of sensitivity to tempo and Expression ma...
We know from eighteenth-century sources on performance practice that tempo fluctuations in the shape...
A reference book for the musician’s practical work of interpretation, this volume, after a general p...
We investigated the effect of legato and staccato articulation styles on the perception of modulated...
This essay examines shifts of meter in organ music from the first part of the seventeenth century in...
After discussing the role of technology in achieving modern performance standards, this article exam...
During most part of Western classical music history, tempo, the speed of music, was not specified, f...
The present study was an attempt to investigate musicians ' tempo note preferences within a mus...
NOTES INÉGALES IS A COMMON PRACTICE IN THE per- formance of French baroque music. It indicates that ...
Objective measures of musical tempo are linked to a particular metrical pulse, and this is most like...
As part of a collaborative project between the Staatliches Institut für Musikforschung Preußischer K...
During most part of Western classical music history, tempo, the speed of music, was not specified, f...
How to convey the desired tempo is a problem that every composer had to face before the invention of...
In reviews of recorded performances by others of Le sacre du printemps, Stravinsky contradicted his ...
RILM abstract: Crotch\u27s pendulum markings are an important source of information on English temp...
There is no standard concert hall repertoire in which lack of sensitivity to tempo and Expression ma...
We know from eighteenth-century sources on performance practice that tempo fluctuations in the shape...
A reference book for the musician’s practical work of interpretation, this volume, after a general p...
We investigated the effect of legato and staccato articulation styles on the perception of modulated...
This essay examines shifts of meter in organ music from the first part of the seventeenth century in...
After discussing the role of technology in achieving modern performance standards, this article exam...
During most part of Western classical music history, tempo, the speed of music, was not specified, f...
The present study was an attempt to investigate musicians ' tempo note preferences within a mus...
NOTES INÉGALES IS A COMMON PRACTICE IN THE per- formance of French baroque music. It indicates that ...
Objective measures of musical tempo are linked to a particular metrical pulse, and this is most like...
As part of a collaborative project between the Staatliches Institut für Musikforschung Preußischer K...