A relatively long letter from Giuseppe Verdi to the Florentine vocal director Pietro Romani, reproduced here, indicates the tempos for individual numbers of his opera Giovanna d\u27Arco. Verdi had a general preference for quicker tempos. The letter also provides valuable evidence for the different roles of the vocal director (Maestro di cappella, Maestro al cembalo, Maestro della musica, Maestro delle opere, or Maestro concertatore) and concertmaster, who served as the orchestra\u27s leader, suggesting an account of the evolution of divided direction of Italian opera into the modern situation of direction by a single conductor
The 100th anniversary of Verdi’s death, observed in 2001, inspired nearly a dozen academic conferenc...
La lettura analitica del primo saggio (Girardi) è finalizzata a formulare ipotesi critiche sulla dra...
This article retraces Giuseppe Verdi's Otello (1887) to the great Italian mattatori (star actors), p...
A relatively long letter from Giuseppe Verdi to the Florentine vocal director Pietro Romani, reprodu...
Despite the vast research on Verdi’s compositional as well as dramatic achievements, little attentio...
Study of the documentation pertaining to the evolution of Verdi's operas from Ernani (1844) to Falst...
As we shall see, the two composers can be understood as opposites in many respects. While some super...
Si tratta di un volume monografico dedicato a Otello di Verdi. Guido Paduano commenta la drammaturgi...
Introduction: A Judgment from the Balconies In December of 2000, Riccardo Muti, one of the most dist...
One of Claudio Monteverdi’s greatest contributions to the opera was his unification of musical ideas...
Giuseppe Verdi was an opera composer who revolutionized the Italian opera with his approach to drama...
Aspetti salienti del dibattito sulle opere di Verdi dal debutto alla fine della carriera, con partic...
Abstract for a paper given at a joint meeting of the American Institute for Verdi Studies and the Gr...
I declare that this thesis is my own work. It is submitted for the degree of PhD by Thesis in the Un...
l saggio scandaglia il rapporto fra il patriarca del melodramma, Giuseppe Verdi, e l'alfiere della r...
The 100th anniversary of Verdi’s death, observed in 2001, inspired nearly a dozen academic conferenc...
La lettura analitica del primo saggio (Girardi) è finalizzata a formulare ipotesi critiche sulla dra...
This article retraces Giuseppe Verdi's Otello (1887) to the great Italian mattatori (star actors), p...
A relatively long letter from Giuseppe Verdi to the Florentine vocal director Pietro Romani, reprodu...
Despite the vast research on Verdi’s compositional as well as dramatic achievements, little attentio...
Study of the documentation pertaining to the evolution of Verdi's operas from Ernani (1844) to Falst...
As we shall see, the two composers can be understood as opposites in many respects. While some super...
Si tratta di un volume monografico dedicato a Otello di Verdi. Guido Paduano commenta la drammaturgi...
Introduction: A Judgment from the Balconies In December of 2000, Riccardo Muti, one of the most dist...
One of Claudio Monteverdi’s greatest contributions to the opera was his unification of musical ideas...
Giuseppe Verdi was an opera composer who revolutionized the Italian opera with his approach to drama...
Aspetti salienti del dibattito sulle opere di Verdi dal debutto alla fine della carriera, con partic...
Abstract for a paper given at a joint meeting of the American Institute for Verdi Studies and the Gr...
I declare that this thesis is my own work. It is submitted for the degree of PhD by Thesis in the Un...
l saggio scandaglia il rapporto fra il patriarca del melodramma, Giuseppe Verdi, e l'alfiere della r...
The 100th anniversary of Verdi’s death, observed in 2001, inspired nearly a dozen academic conferenc...
La lettura analitica del primo saggio (Girardi) è finalizzata a formulare ipotesi critiche sulla dra...
This article retraces Giuseppe Verdi's Otello (1887) to the great Italian mattatori (star actors), p...