Add to ORKGIn reviews of recorded performances by others of Le sacre du printemps, Stravinsky contradicted his metronome markings and his own recorded performance tempos. His preferred tempos in the reviews encompass a range wider than the markings imply, yet more narrow than his own performance tempos suggest
Many amateurs or professional performers usually encounter a major challenge in determin...
We know from eighteenth-century sources on performance practice that tempo fluctuations in the shape...
After discussing the role of technology in achieving modern performance standards, this article exam...
In reviews of recorded performances by others of Le sacre du printemps, Stravinsky contradicted his ...
International audienceThe Rite of Spring is a key work for the history of recording and for the musi...
Both the Italian tempo indications in Purcell\u27s sonatas and the occasional English words in the f...
During most part of Western classical music history, tempo, the speed of music, was not specified, f...
The final dance, Danse sacrale from the ballet Le Sacre du printemps by Igor Stravinsky (1882-1971)...
How to convey the desired tempo is a problem that every composer had to face before the invention of...
There is no standard concert hall repertoire in which lack of sensitivity to tempo and Expression ma...
Stravinsky’s struggle with music critics has become legendary. It began early in Stravinsky’s life, ...
Sibelius repeatedly maintained that tempo fluctuations in his music ought to be barely perceptible. ...
The program note I want to gloss concerns the Symphony in Three Movements, which was composed over t...
Article original en langue anglaise, traduit par l'auteur, publié dans le Journal of the Liszt Ameri...
In this commentary, statistical and sound signal segmentation methods as applied in Massimo Zicari's...
Many amateurs or professional performers usually encounter a major challenge in determin...
We know from eighteenth-century sources on performance practice that tempo fluctuations in the shape...
After discussing the role of technology in achieving modern performance standards, this article exam...
In reviews of recorded performances by others of Le sacre du printemps, Stravinsky contradicted his ...
International audienceThe Rite of Spring is a key work for the history of recording and for the musi...
Both the Italian tempo indications in Purcell\u27s sonatas and the occasional English words in the f...
During most part of Western classical music history, tempo, the speed of music, was not specified, f...
The final dance, Danse sacrale from the ballet Le Sacre du printemps by Igor Stravinsky (1882-1971)...
How to convey the desired tempo is a problem that every composer had to face before the invention of...
There is no standard concert hall repertoire in which lack of sensitivity to tempo and Expression ma...
Stravinsky’s struggle with music critics has become legendary. It began early in Stravinsky’s life, ...
Sibelius repeatedly maintained that tempo fluctuations in his music ought to be barely perceptible. ...
The program note I want to gloss concerns the Symphony in Three Movements, which was composed over t...
Article original en langue anglaise, traduit par l'auteur, publié dans le Journal of the Liszt Ameri...
In this commentary, statistical and sound signal segmentation methods as applied in Massimo Zicari's...
Many amateurs or professional performers usually encounter a major challenge in determin...
We know from eighteenth-century sources on performance practice that tempo fluctuations in the shape...
After discussing the role of technology in achieving modern performance standards, this article exam...