Timbre is a misleadingly simple word that encompassesnot only a very complex set of auditory attributes,but also a plethora of importantpsychological and musical issues (Risset andWessel 1999; McAdams 1993; Hajda, Kendall,Carterette, and Harshberger 1997). It covers manyparameters of perception that are not accountedfor by pitch, loudness, spatial position, and duration.It is thus, by definition, multidimensional.Musical timbre has been a major component of researchcarried out by the Music Perception andCognition team at IRCAM since the team’s inceptionin 1984, and even before in previous work byDavid Wessel. [...
Abstract: Most of the difficulties connected with verbal determination and quantification of the phe...
The study of musical timbre by Bailes (2007) raises important questions concerning the relative eas...
Faculty adviser: Andrew OxenhamIn music, timbre differences allow us to distinguish between instrume...
cote interne IRCAM: McAdams99aNone / NoneNational audienceSeveral approaches to the role of timbre p...
The thesis deals with the issues of timbre which has been for a long time neglected by music theory ...
Attempts to relate the perceptual dimensions of timbre to quantitative acoustical dimensions have be...
sound source mechanics and musical timbre perception: evidence from previous studies bruno l. giorda...
The study of musical timbre by Bailes (2007) raises important questions concerning the relative ease...
In the history of Western musical thought, the intelligibility as well as the expressive powers of m...
PhDMusical timbre is a complex and multidimensional entity which provides information regarding the...
Two distinct approaches to timbre analysis exist, each with complementary strengths and limitations....
Various methods have been used in an attempt to reveal salient parameters for musical timbre percept...
Timbre has been conceived of as a multidimensional sensory attribute and as a carrier of perceptuall...
Evidence of the ability to imagine timbre is either anecdotal, or applies to isolated instrument to...
The sensation of timbre has intrigued and confused musicians and psychoacousticians for over a centu...
Abstract: Most of the difficulties connected with verbal determination and quantification of the phe...
The study of musical timbre by Bailes (2007) raises important questions concerning the relative eas...
Faculty adviser: Andrew OxenhamIn music, timbre differences allow us to distinguish between instrume...
cote interne IRCAM: McAdams99aNone / NoneNational audienceSeveral approaches to the role of timbre p...
The thesis deals with the issues of timbre which has been for a long time neglected by music theory ...
Attempts to relate the perceptual dimensions of timbre to quantitative acoustical dimensions have be...
sound source mechanics and musical timbre perception: evidence from previous studies bruno l. giorda...
The study of musical timbre by Bailes (2007) raises important questions concerning the relative ease...
In the history of Western musical thought, the intelligibility as well as the expressive powers of m...
PhDMusical timbre is a complex and multidimensional entity which provides information regarding the...
Two distinct approaches to timbre analysis exist, each with complementary strengths and limitations....
Various methods have been used in an attempt to reveal salient parameters for musical timbre percept...
Timbre has been conceived of as a multidimensional sensory attribute and as a carrier of perceptuall...
Evidence of the ability to imagine timbre is either anecdotal, or applies to isolated instrument to...
The sensation of timbre has intrigued and confused musicians and psychoacousticians for over a centu...
Abstract: Most of the difficulties connected with verbal determination and quantification of the phe...
The study of musical timbre by Bailes (2007) raises important questions concerning the relative eas...
Faculty adviser: Andrew OxenhamIn music, timbre differences allow us to distinguish between instrume...