Burial rites are social affairs, and in Africa, political actors are cultural agents whose existence, decisions and rites have been inscribed into the social fabric, history and life of the society. Their life rites, death rites and burial rites are factors of social change and factors for the renewal of life's affirmative essences, which if lacking in the society, would have disastrous consequences. Socio-cultural, political and individual preferences that threaten these life, death and burial rites in Africa threaten the essence, constitution and cosmic peace of the society and would be resisted in Africa in order to avert disaster and tragedy even if necessarily through what other cultures may define as calamity. Our aim in this paper is...
While the earliest forms of Yoruba theater may very well be found in ritual plays such as egungun an...
African funerals (rites of passage in Gennep's sense) use elements of social drama (Turner 1974, 198...
This study examines the dramaturgy of the Nigerian Nobel Laureate, Wole Soyinka as a model of an aut...
Abstract: The folk element in African literature and drama owes its richness to the various language...
Returning and recurring cultural forms, ancestral incarnations, theatrical imaginations, and racial ...
This paper describes the burial ceremony of the Surma-speaking Me'en of southwest Ethiopia as a co...
Death poses problems to the individual and the society. In time, each of us experiences the death of...
Wole Soyinka\u27s play Death and King\u27s Horseman reflects the cultural conflict between the Afric...
The paper attempts a holistic analysis of the burial-rites of the Urhobo people, of Delta State, Nig...
Akan mortuary rituals and practices are undergoing rapid transformation due to the combined influenc...
Akan mortuary rituals and practices are undergoing rapid transformation due to the combined influenc...
Critics make a large claim that Wole Soyinka mythologizes death and deploys ritual form in his drama...
Death, within many African societies, is the spring board towards life re-incarnation. It is not per...
Numerous studies on death in African societies with no doubt have been successfully conducted though...
This study examined the use of death rituals as a native healing method in the Bukusu (Babukusu) com...
While the earliest forms of Yoruba theater may very well be found in ritual plays such as egungun an...
African funerals (rites of passage in Gennep's sense) use elements of social drama (Turner 1974, 198...
This study examines the dramaturgy of the Nigerian Nobel Laureate, Wole Soyinka as a model of an aut...
Abstract: The folk element in African literature and drama owes its richness to the various language...
Returning and recurring cultural forms, ancestral incarnations, theatrical imaginations, and racial ...
This paper describes the burial ceremony of the Surma-speaking Me'en of southwest Ethiopia as a co...
Death poses problems to the individual and the society. In time, each of us experiences the death of...
Wole Soyinka\u27s play Death and King\u27s Horseman reflects the cultural conflict between the Afric...
The paper attempts a holistic analysis of the burial-rites of the Urhobo people, of Delta State, Nig...
Akan mortuary rituals and practices are undergoing rapid transformation due to the combined influenc...
Akan mortuary rituals and practices are undergoing rapid transformation due to the combined influenc...
Critics make a large claim that Wole Soyinka mythologizes death and deploys ritual form in his drama...
Death, within many African societies, is the spring board towards life re-incarnation. It is not per...
Numerous studies on death in African societies with no doubt have been successfully conducted though...
This study examined the use of death rituals as a native healing method in the Bukusu (Babukusu) com...
While the earliest forms of Yoruba theater may very well be found in ritual plays such as egungun an...
African funerals (rites of passage in Gennep's sense) use elements of social drama (Turner 1974, 198...
This study examines the dramaturgy of the Nigerian Nobel Laureate, Wole Soyinka as a model of an aut...