Computational analysis of the potential historical professional networks inferred from surviving print impressions offers novel insight into the evolution of early modern artistic printmaking in Europe. This analysis traces a longue durée print production history that examines the changing ways in which different regional printmaking communities interacted between 1550 and 1750, highlighting the powerful impact of demographic forces and calling in to question narratives based on single key individuals or the emergence of specific national schools
Using a Venetian case study from the Napoleonic Kingdom of Italy, this article demonstrates how arch...
This dissertation investigates how aesthetics of printedness—in particular, styles associated with p...
Presentation at the 2018 Mid-Atlantic Conference on British Studies, College Park, MDThis project il...
The development of a professionalized, highly centralized printmaking industry in northern Europe du...
The production of artistic prints in the sixteenth- and seventeenth-century Netherlands was an inher...
By applying social network analysis, we study how the printing world became an economic activity in ...
This work describes a computational method for reconstructing clusters of social relationships among...
This article examines a number of prominent network analysis projects in the field of art history an...
Paratexts, such as dedication letters or epigrams, in early modern printed books can be used by hist...
What can be learned about the paper trade from digital and archival sources on the business of a sin...
This doctoral dissertation takes an inclusive look at the Antwerp tapestry industry (1660-1720) thro...
In the second half of the sixteenth century Gerard Mercator, Abraham Ortelius and Antonio Lafreri st...
How do images and styles spread out over time and place? This article presents how art historians ca...
We study the role of book content in economic, religious, and institutional development after the in...
This paper seeks to provide a brief survey of three types of responses to Gutenberg’s moveable type ...
Using a Venetian case study from the Napoleonic Kingdom of Italy, this article demonstrates how arch...
This dissertation investigates how aesthetics of printedness—in particular, styles associated with p...
Presentation at the 2018 Mid-Atlantic Conference on British Studies, College Park, MDThis project il...
The development of a professionalized, highly centralized printmaking industry in northern Europe du...
The production of artistic prints in the sixteenth- and seventeenth-century Netherlands was an inher...
By applying social network analysis, we study how the printing world became an economic activity in ...
This work describes a computational method for reconstructing clusters of social relationships among...
This article examines a number of prominent network analysis projects in the field of art history an...
Paratexts, such as dedication letters or epigrams, in early modern printed books can be used by hist...
What can be learned about the paper trade from digital and archival sources on the business of a sin...
This doctoral dissertation takes an inclusive look at the Antwerp tapestry industry (1660-1720) thro...
In the second half of the sixteenth century Gerard Mercator, Abraham Ortelius and Antonio Lafreri st...
How do images and styles spread out over time and place? This article presents how art historians ca...
We study the role of book content in economic, religious, and institutional development after the in...
This paper seeks to provide a brief survey of three types of responses to Gutenberg’s moveable type ...
Using a Venetian case study from the Napoleonic Kingdom of Italy, this article demonstrates how arch...
This dissertation investigates how aesthetics of printedness—in particular, styles associated with p...
Presentation at the 2018 Mid-Atlantic Conference on British Studies, College Park, MDThis project il...