The Smiths are one of the most commercially successful and in uential bands to emerge from the British post-punk movement in the 1980s. Along with elements such as lyrics, harmony, and musical form, a key component of The Smiths’ distinctive musical style involves their sound and, in particular, their sound as represented on studio recordings. Drawing upon the work and insights of scholars such as Albin Zak, Allan F. Moore and Ruth Dockwray, this paper details the complex recording history of the band’s rst single ‘Hand in Glove’ in an attempt to trace the development of The Smiths’ unique recorded sound
This article records an email discussion between Martin Westwood and Sarah Jones the protagonist for...
The perception of sound by individuals and the meanings that they attributed to sounds heard and unh...
‘Ecomusicology’ is a developing field that looks to explore the interface between modern eco-theory ...
This chapter highlights continuities between the aesthetic evident in the songs and related material...
Book synopsis: For five short years in the 1980s, a four-piece Manchester band released a collection...
In May 1983 The Smiths released their first 7’’ single “Hand in Glove”, which peaked in the UK chart...
For five short years in the 1980s, a four-piece Manchester band released a collection of records whi...
The music of Irish rock band, U2, evinces a compositional process developed by musicians of exceptio...
Article entitled Still Fighting the Cuts: An interview with Mekons 77, published by Intellect Ltd, B...
This chapter is in a book that is based upon papers given at the conference Messing Up The Paintwork...
The 1960s rock counterculture is typically seen by journalists and fans in terms of overly simplisti...
It is often said (on the backs of books, or on the internet – so it must be true) that Patti Smith i...
Sarah Etlinger published an article on Sgt Pepper's cover art in Volume!, cf. http://volume.revues.o...
In this performative manifesto, I advocate for greater recognition to be given to the potential of m...
This article appears in a Special Issue of Studies in Music from the University of Western Ontario: ...
This article records an email discussion between Martin Westwood and Sarah Jones the protagonist for...
The perception of sound by individuals and the meanings that they attributed to sounds heard and unh...
‘Ecomusicology’ is a developing field that looks to explore the interface between modern eco-theory ...
This chapter highlights continuities between the aesthetic evident in the songs and related material...
Book synopsis: For five short years in the 1980s, a four-piece Manchester band released a collection...
In May 1983 The Smiths released their first 7’’ single “Hand in Glove”, which peaked in the UK chart...
For five short years in the 1980s, a four-piece Manchester band released a collection of records whi...
The music of Irish rock band, U2, evinces a compositional process developed by musicians of exceptio...
Article entitled Still Fighting the Cuts: An interview with Mekons 77, published by Intellect Ltd, B...
This chapter is in a book that is based upon papers given at the conference Messing Up The Paintwork...
The 1960s rock counterculture is typically seen by journalists and fans in terms of overly simplisti...
It is often said (on the backs of books, or on the internet – so it must be true) that Patti Smith i...
Sarah Etlinger published an article on Sgt Pepper's cover art in Volume!, cf. http://volume.revues.o...
In this performative manifesto, I advocate for greater recognition to be given to the potential of m...
This article appears in a Special Issue of Studies in Music from the University of Western Ontario: ...
This article records an email discussion between Martin Westwood and Sarah Jones the protagonist for...
The perception of sound by individuals and the meanings that they attributed to sounds heard and unh...
‘Ecomusicology’ is a developing field that looks to explore the interface between modern eco-theory ...