This review essay considers early modern dramatic authorship and canons in the context of two recent publications: an anthology of plays -- William Shakespeare and Others: Collaborative Plays (2013), edited by Jonathan Bate and Eric Rasmussen as a companion volume to the RSC Complete Works -- and a monograph study -- Jeremy Lopez's Constructing the Canon of Early Modern Drama (2014)
‘Rewriting History’ is a reappraisal of Shakespeare’s history cycle, exploring its origins, its popu...
The article aims to reconstruct the eighteenth-century discussion about knowledge and its connection...
This paper aims to reconstruct the eighteenth-century discussion about knowledge, and its connection...
This review essay considers early modern dramatic authorship and canons in the context of two recent...
The Shakespeare Apocrypha has persisted as a category for plays of dubious authorship since 1908. De...
This article engages with one of the current critical and bibliographical concerns of Shakespeare st...
The essay examines current thinking on early modern authorship within the competitive economies of t...
An essay is presented on the marketing of William Shakespeare's literary works. It offers a discussi...
This essay is concerned with how Shakespeare himself might have thought about a canon. What fo...
This thesis argues that censorship is central to early modern authorial self-construction and that t...
The literary canon commonly thought of as ancient, accepted and agreed, and consistent between high ...
Sir Thomas Pope Blount (1649–1697), an English essayist and country gentleman, published two major l...
Review of Peter Holland and Stephen Orgel (eds.) 'From script to stage in early modern England'(Basi...
Over the last ten years there has been a struggle within Shakespeare studies between the vast majori...
This essay deals in material evidence which endorses Umberto Eco’s proposition that “immediately aft...
‘Rewriting History’ is a reappraisal of Shakespeare’s history cycle, exploring its origins, its popu...
The article aims to reconstruct the eighteenth-century discussion about knowledge and its connection...
This paper aims to reconstruct the eighteenth-century discussion about knowledge, and its connection...
This review essay considers early modern dramatic authorship and canons in the context of two recent...
The Shakespeare Apocrypha has persisted as a category for plays of dubious authorship since 1908. De...
This article engages with one of the current critical and bibliographical concerns of Shakespeare st...
The essay examines current thinking on early modern authorship within the competitive economies of t...
An essay is presented on the marketing of William Shakespeare's literary works. It offers a discussi...
This essay is concerned with how Shakespeare himself might have thought about a canon. What fo...
This thesis argues that censorship is central to early modern authorial self-construction and that t...
The literary canon commonly thought of as ancient, accepted and agreed, and consistent between high ...
Sir Thomas Pope Blount (1649–1697), an English essayist and country gentleman, published two major l...
Review of Peter Holland and Stephen Orgel (eds.) 'From script to stage in early modern England'(Basi...
Over the last ten years there has been a struggle within Shakespeare studies between the vast majori...
This essay deals in material evidence which endorses Umberto Eco’s proposition that “immediately aft...
‘Rewriting History’ is a reappraisal of Shakespeare’s history cycle, exploring its origins, its popu...
The article aims to reconstruct the eighteenth-century discussion about knowledge and its connection...
This paper aims to reconstruct the eighteenth-century discussion about knowledge, and its connection...
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