The article explores the relationship of Chaucer's 'Lollius' to a broader medieval tradition of fictitious authors, arguing that Chaucer's self-presentation as a 'compilator' cannot be fully accounted for by the 'medieval theory of authorship'. It is likely that 'he was also influenced by a tradition of secular entertainment, outside the range of scholastic commentary and incorporating rather different assumptions about the use of literature . . . the historical authenticity of the [scholastic] viewpoint needs to be carefully weighed against the narrowness of the view.
This thesis compares the modes of satire utilized by Dante in the Divine Comedy and Chaucer in theCa...
This dissertation argues that the remarkable persistence of Chaucer\u27s fame in early modern Englan...
This study examines Chaucer\u27s manipulations of medieval rhetorical theory in the chivalric narrat...
Medieval literary theory, generated in the educational system and commentary tradition, consisted of...
Today we largely take it for granted that every text has an author, but what is understood by the te...
The clerical exegesis within Chaucer's Canterbury Tales has frequently been connected to medieval et...
This dissertation studies the ways that Chaucer and his French contemporaries, Guillaume de Machaut,...
This dissertation studies the ways that Chaucer and his French contemporaries, Guillaume de Machaut,...
For literary historians with only few exceptions (e.g . J.W. Mackail, W.P. Ker, A.C. Spearing) Geoff...
Medieval scribes were the first readers of the texts they copied, and the manuscripts they produced ...
This article examines the role and function of author attributions in multi-text manuscripts contain...
The term "authorship" usually conjures up the following: an autonomous and biographical individual i...
This paper will describe the medieval creative process known as palindromic structure, a face of ana...
The dissertation challenges the familiar notion that the literary theory of the sublime did not exis...
In this project, I explore both the textual and material histories of Chaucer\u27s *Troilus & Crisey...
This thesis compares the modes of satire utilized by Dante in the Divine Comedy and Chaucer in theCa...
This dissertation argues that the remarkable persistence of Chaucer\u27s fame in early modern Englan...
This study examines Chaucer\u27s manipulations of medieval rhetorical theory in the chivalric narrat...
Medieval literary theory, generated in the educational system and commentary tradition, consisted of...
Today we largely take it for granted that every text has an author, but what is understood by the te...
The clerical exegesis within Chaucer's Canterbury Tales has frequently been connected to medieval et...
This dissertation studies the ways that Chaucer and his French contemporaries, Guillaume de Machaut,...
This dissertation studies the ways that Chaucer and his French contemporaries, Guillaume de Machaut,...
For literary historians with only few exceptions (e.g . J.W. Mackail, W.P. Ker, A.C. Spearing) Geoff...
Medieval scribes were the first readers of the texts they copied, and the manuscripts they produced ...
This article examines the role and function of author attributions in multi-text manuscripts contain...
The term "authorship" usually conjures up the following: an autonomous and biographical individual i...
This paper will describe the medieval creative process known as palindromic structure, a face of ana...
The dissertation challenges the familiar notion that the literary theory of the sublime did not exis...
In this project, I explore both the textual and material histories of Chaucer\u27s *Troilus & Crisey...
This thesis compares the modes of satire utilized by Dante in the Divine Comedy and Chaucer in theCa...
This dissertation argues that the remarkable persistence of Chaucer\u27s fame in early modern Englan...
This study examines Chaucer\u27s manipulations of medieval rhetorical theory in the chivalric narrat...