Add to ORKGWritten by ten leading scholars, this volume assembles studies of eighteenth- and early nineteenth-century music under the broad rubric of communication. That such an impulse motivates musical composition and performance in this period of European musical history is often acknowledged but seldom examined in depth. The book explores a broad set of issues, ranging from the exigencies of the market for books and music in the eighteenth century through to the deployment of dance topoi in musical composition. A number of close readings of individual works by Mozart, Haydn and Beethoven draw on a sophisticated body of historically-appropriate technical resources to illuminate theories of form, metre, bass lines and dance topoi. Students and schol...
At the end of the 18th century, instrumental music, formerly subordinate to vocal music and shackled...
We know from eighteenth-century sources on performance practice that tempo fluctuations in the shape...
This thesis uses ideas found in the eighteenth-century composition guides of Joseph Riepel, Heinrich...
Written by ten leading scholars of music, this volume assembles studies of eighteenth- and early nin...
The music of Haydn, Mozart and Beethoven forms a cornerstone of the modern repertoire, but very litt...
My dissertation investigates the experience of listening to previously-heard music assembled by comp...
My dissertation investigates the experience of listening to previously-heard music assembled by comp...
Mozart’s Orchestral Cantabile Style: Eighteenth-Century Origins of String Performance Practices Davi...
In this dissertation I attempt to explore thoroughly the metaphor of music as a language as it was u...
This dissertation begins with a source-critical problem with consequences for performance: the many...
In 1700, most composers were employees of noble courts or the church. But by the nineteenth century,...
In this thesis, a number of late eighteenth and early nineteenth-century publications of Mozart’s wo...
Around the middle of the eighteenth century the leading figures of the French Enlightenment engaged ...
L’objet de notre thèse est de rendre compte de textes musicaux du XVIIe et de la première moitié du ...
In eighteenth-century France, music was everywhere. Musical criticism and scores filled journals and...
At the end of the 18th century, instrumental music, formerly subordinate to vocal music and shackled...
We know from eighteenth-century sources on performance practice that tempo fluctuations in the shape...
This thesis uses ideas found in the eighteenth-century composition guides of Joseph Riepel, Heinrich...
Written by ten leading scholars of music, this volume assembles studies of eighteenth- and early nin...
The music of Haydn, Mozart and Beethoven forms a cornerstone of the modern repertoire, but very litt...
My dissertation investigates the experience of listening to previously-heard music assembled by comp...
My dissertation investigates the experience of listening to previously-heard music assembled by comp...
Mozart’s Orchestral Cantabile Style: Eighteenth-Century Origins of String Performance Practices Davi...
In this dissertation I attempt to explore thoroughly the metaphor of music as a language as it was u...
This dissertation begins with a source-critical problem with consequences for performance: the many...
In 1700, most composers were employees of noble courts or the church. But by the nineteenth century,...
In this thesis, a number of late eighteenth and early nineteenth-century publications of Mozart’s wo...
Around the middle of the eighteenth century the leading figures of the French Enlightenment engaged ...
L’objet de notre thèse est de rendre compte de textes musicaux du XVIIe et de la première moitié du ...
In eighteenth-century France, music was everywhere. Musical criticism and scores filled journals and...
At the end of the 18th century, instrumental music, formerly subordinate to vocal music and shackled...
We know from eighteenth-century sources on performance practice that tempo fluctuations in the shape...
This thesis uses ideas found in the eighteenth-century composition guides of Joseph Riepel, Heinrich...