I am not a musicologist but for more than twenty years I have been regularly cultivating Gregorian chant. In the same way, personally I feel very close to medieval music. Preparing a training course for librarians specialised in music, Ifound a style called "Ars Subtilior" which is generally little known even among musiáans, as it only lasted a few decades in the Middle Ages in France, Spain and Italy. I consider it important to provide some historical and theoretical data needed to understand the importance of this revolutionary new style in its historical context
Cullin, Olivier, Breve historia de la música en la Edad Media, traducción de Jordi Terré, Paidós, Ba...
Following the thread of the interrelation between music and text, this study is a reflection on the ...
This paper is a comparative survey of the Purification’s procesional pieces in Late Medieval Aragone...
I am not a musicologist but for more than twenty years I have been regularly cultivating Gregorian c...
This paper follows the contents of its previous part (AnM 62, 2007, 39-74), dealing with the provena...
Estudio sobre historia de la Música y selección comentada de las audiociones esenciales por períodos...
El nombre del canto gregoriano viene de su atribución al papa san Gregorio I el Magno (murió en el 6...
Producción CientíficaNunca fue pena mayor fue uno de los grandes éxitos musicales de finales del sig...
This study approaches on the music introduction and the organ compositions in the catholic cult in t...
The principal aim of our research is to offer a brief summary of the liturgical canticles used at pr...
The musical repertoire of processions of the Latin liturgy has had a singular treatment in the Weste...
Producidas en el scriptorium alfonsino, las Cantigas de Santa María constituyen una verdadera encicl...
Through the study of medieval iconography in Europe and modern studies on musicology, we can demonst...
Manuscrit musical de pergamí amb text i música, trobat en una coberta que contenia documents notaria...
This paper presents a study on the concepts of measurement, time and beat during the sixteenth centu...
Cullin, Olivier, Breve historia de la música en la Edad Media, traducción de Jordi Terré, Paidós, Ba...
Following the thread of the interrelation between music and text, this study is a reflection on the ...
This paper is a comparative survey of the Purification’s procesional pieces in Late Medieval Aragone...
I am not a musicologist but for more than twenty years I have been regularly cultivating Gregorian c...
This paper follows the contents of its previous part (AnM 62, 2007, 39-74), dealing with the provena...
Estudio sobre historia de la Música y selección comentada de las audiociones esenciales por períodos...
El nombre del canto gregoriano viene de su atribución al papa san Gregorio I el Magno (murió en el 6...
Producción CientíficaNunca fue pena mayor fue uno de los grandes éxitos musicales de finales del sig...
This study approaches on the music introduction and the organ compositions in the catholic cult in t...
The principal aim of our research is to offer a brief summary of the liturgical canticles used at pr...
The musical repertoire of processions of the Latin liturgy has had a singular treatment in the Weste...
Producidas en el scriptorium alfonsino, las Cantigas de Santa María constituyen una verdadera encicl...
Through the study of medieval iconography in Europe and modern studies on musicology, we can demonst...
Manuscrit musical de pergamí amb text i música, trobat en una coberta que contenia documents notaria...
This paper presents a study on the concepts of measurement, time and beat during the sixteenth centu...
Cullin, Olivier, Breve historia de la música en la Edad Media, traducción de Jordi Terré, Paidós, Ba...
Following the thread of the interrelation between music and text, this study is a reflection on the ...
This paper is a comparative survey of the Purification’s procesional pieces in Late Medieval Aragone...