Add to ORKGThis article uses two Australian historiographic metafictive texts, Into White Silence (Eaton, 2008) and The Lace Maker’s Daughter (Crew, 2005), to demonstrate how particular narrative strategies destabilize the relationship between history and fiction and the past and the present
‘Historiographic Metafiction’ (HM) is a literary term first coined by creative writing academic Lind...
This dissertation investigates the act of writing and the role of intertextuality inadolescent subje...
My thesis explores the ways postcolonial and postmodern authorship informs the practice of storytell...
This article uses two Australian historiographic metafictive texts, Into White Silence (Eaton, 2008)...
This practice-based research project consists of a 33,000-word novella, "Folly", and a 50,000-word e...
This paper emerges from my practice-led PhD thesis investigating the ways fiction writers can enter ...
D. M. Thomas’s The White Hotel (1981) narrates the personal history of Lisa Erdman who is mercilessl...
This paper addresses the issues raised by comparing Santayana’s warning that ‘Those who cannot remem...
This paper poses the question of what possible desires expressed in Metahistory remain ungratified f...
In this dissertation, aspects of the creative process involved in `writing the past' are theorised f...
The written word is a powerful tool of modern society with words having a positive or negative effec...
Comprising a novel and complementary discourses, this thesis blurs the traditional distinctions betw...
According to theorists such as Jameson and Hayden White, narrativisation has traditionally functione...
© 2019 Jenny Louise SinclairThis thesis examines how recent Australian historical fiction, particula...
It is often argued that postmodernism has been succeeded by a new dominant cultural logic. We concei...
‘Historiographic Metafiction’ (HM) is a literary term first coined by creative writing academic Lind...
This dissertation investigates the act of writing and the role of intertextuality inadolescent subje...
My thesis explores the ways postcolonial and postmodern authorship informs the practice of storytell...
This article uses two Australian historiographic metafictive texts, Into White Silence (Eaton, 2008)...
This practice-based research project consists of a 33,000-word novella, "Folly", and a 50,000-word e...
This paper emerges from my practice-led PhD thesis investigating the ways fiction writers can enter ...
D. M. Thomas’s The White Hotel (1981) narrates the personal history of Lisa Erdman who is mercilessl...
This paper addresses the issues raised by comparing Santayana’s warning that ‘Those who cannot remem...
This paper poses the question of what possible desires expressed in Metahistory remain ungratified f...
In this dissertation, aspects of the creative process involved in `writing the past' are theorised f...
The written word is a powerful tool of modern society with words having a positive or negative effec...
Comprising a novel and complementary discourses, this thesis blurs the traditional distinctions betw...
According to theorists such as Jameson and Hayden White, narrativisation has traditionally functione...
© 2019 Jenny Louise SinclairThis thesis examines how recent Australian historical fiction, particula...
It is often argued that postmodernism has been succeeded by a new dominant cultural logic. We concei...
‘Historiographic Metafiction’ (HM) is a literary term first coined by creative writing academic Lind...
This dissertation investigates the act of writing and the role of intertextuality inadolescent subje...
My thesis explores the ways postcolonial and postmodern authorship informs the practice of storytell...