In creative disciplines, reflective practice is an integral and cumulative form of learning. Reflective learning generates knowledge that is specific to oneself and is a form of evidence upon which to analyse and change one’s practice. Critical reflection requires a deep knowledge of the discipline and an awareness of one’s positioning within that discipline and in relation to one’s creative performance. Meaning making through performative expression allows for personal transformation through acute awareness of and reflection on one’s own beliefs, knowledges and values through the process of creating artistic work. Self-awareness and identity are significant both in the study of the arts and in becoming an artist, as aesthetic inquiry and p...
A key criterion in the recognition of practice as research is the inclusion of some form of critical...
Reflection is not a new concept in the teaching of higher education and is often an important compon...
This article focuses on my own practice and experience of teaching in the performing arts to examine...
This paper explores the challenges and opportunities for embedding reflection in practice-based curr...
Reflective Practices in Arts Education brings together a multi-disciplinary group of authors who exp...
Discusses the use of reflective language in the analysis and critique of art and design. Theoretical...
Reflection can form the basis for powerful dialogue between the arts and literacy as we seek interpr...
The paper discusses insights from a post-disciplinary artist who reflects on his artistic practice. ...
As artists, we should not only be devoting our time and energy into working “on our art”, we should ...
One of the ways that practitioners are encouraged, indeed required, to ‘tell their practice’ is via ...
My study aims to examine the concept of reflection, what it means and also link it to working with r...
Discusses the use of reflective language in the analysis and critique of art and design. Theoretical...
Constructing a Reflective Site was a fine art practice-based Ph.D. project, which considered the rel...
In this article we reflect on reflection. To do this, we share examples of pedagogic approaches used...
The benefits of reflective practice have been well established in the literature (Rogers, 2001), as ...
A key criterion in the recognition of practice as research is the inclusion of some form of critical...
Reflection is not a new concept in the teaching of higher education and is often an important compon...
This article focuses on my own practice and experience of teaching in the performing arts to examine...
This paper explores the challenges and opportunities for embedding reflection in practice-based curr...
Reflective Practices in Arts Education brings together a multi-disciplinary group of authors who exp...
Discusses the use of reflective language in the analysis and critique of art and design. Theoretical...
Reflection can form the basis for powerful dialogue between the arts and literacy as we seek interpr...
The paper discusses insights from a post-disciplinary artist who reflects on his artistic practice. ...
As artists, we should not only be devoting our time and energy into working “on our art”, we should ...
One of the ways that practitioners are encouraged, indeed required, to ‘tell their practice’ is via ...
My study aims to examine the concept of reflection, what it means and also link it to working with r...
Discusses the use of reflective language in the analysis and critique of art and design. Theoretical...
Constructing a Reflective Site was a fine art practice-based Ph.D. project, which considered the rel...
In this article we reflect on reflection. To do this, we share examples of pedagogic approaches used...
The benefits of reflective practice have been well established in the literature (Rogers, 2001), as ...
A key criterion in the recognition of practice as research is the inclusion of some form of critical...
Reflection is not a new concept in the teaching of higher education and is often an important compon...
This article focuses on my own practice and experience of teaching in the performing arts to examine...