Shared Material on Dying is a trio/solo work commissioned by Jenny Roche and the Dublin Dance Festival in 2008 from choreographer Liz Roche. Touring widely since its creation, it continues to be a rich research environment for the interrogation by Jenny Roche of the dancer’s first-person perspective in choreographic production and performance. The research perspective drawn from the live performance of this iteration was how the exploration of the same dancing moment might be expressed from multiple perspectives by three different dancers and what this might reveal about the dancer’s inner configuring of the performance environment. Erin Manning (2009) describes the unstable and emergent moment before movement materialises as the preaccele...
Dance Interrogations explores ways to bridge the gap between viewing screendance and the embodied ex...
© 2013 Michelle Ferris‘Dancing the threshold: Liminal space and subjectivity in practice and perform...
a dance for radio examines how improvisation may be used as a means of documentation. a dance for r...
The project I am presenting is a series of improvisational dance works that I have edited together i...
This paper explores the concept that individual dancers leave traces in a choreographer’s body of wo...
Mapping the Unmappable? the Choreography Shared Material on Dying through the Lens of the Technogene...
The focus of this paper is on the phenomenon of collaborative creativity emerging from shared, embod...
Recognising the power of digital algorithms and biological viruses to radically affect everyday expe...
In 2008, Jenny Roche commissioned Jodi Melnick to make the solo Business of the Bloom on her. Four y...
This thesis is the written component of artistic-pedagogical event Patella-floating bone that was cr...
A symbolic interaction (BLUMER, 1969; MEAD, 1934; PRUS, 1996; PRUS & GRILLS, 2003) approach was take...
This article reflects on a dance improvisation project in which the foundational relationship of the...
© 2007 Anny MokotowThis thesis investigates the influence of hybrid theatre practices, media and tec...
The aim of this thesis is to examine performance through my personal experience as a dancer who has ...
The dancer’s perspective is crucial to developing the discourse surrounding studio based dance pract...
Dance Interrogations explores ways to bridge the gap between viewing screendance and the embodied ex...
© 2013 Michelle Ferris‘Dancing the threshold: Liminal space and subjectivity in practice and perform...
a dance for radio examines how improvisation may be used as a means of documentation. a dance for r...
The project I am presenting is a series of improvisational dance works that I have edited together i...
This paper explores the concept that individual dancers leave traces in a choreographer’s body of wo...
Mapping the Unmappable? the Choreography Shared Material on Dying through the Lens of the Technogene...
The focus of this paper is on the phenomenon of collaborative creativity emerging from shared, embod...
Recognising the power of digital algorithms and biological viruses to radically affect everyday expe...
In 2008, Jenny Roche commissioned Jodi Melnick to make the solo Business of the Bloom on her. Four y...
This thesis is the written component of artistic-pedagogical event Patella-floating bone that was cr...
A symbolic interaction (BLUMER, 1969; MEAD, 1934; PRUS, 1996; PRUS & GRILLS, 2003) approach was take...
This article reflects on a dance improvisation project in which the foundational relationship of the...
© 2007 Anny MokotowThis thesis investigates the influence of hybrid theatre practices, media and tec...
The aim of this thesis is to examine performance through my personal experience as a dancer who has ...
The dancer’s perspective is crucial to developing the discourse surrounding studio based dance pract...
Dance Interrogations explores ways to bridge the gap between viewing screendance and the embodied ex...
© 2013 Michelle Ferris‘Dancing the threshold: Liminal space and subjectivity in practice and perform...
a dance for radio examines how improvisation may be used as a means of documentation. a dance for r...