Phenomenally strong artworks have the potential to anchor us in reality and to cultivate our perception. For the most part, we barely notice the world around us, as we are too often elsewhere, texting, coordinating schedules, planning ahead, navigating what needs to be done. This is the level of our age that shapes the ways we encounter things and others. In such a world it is no wonder we no longer trust our senses. But as feminists have long argued, thinking grounded in embodied experience can be more open to difference; such embodied thinking helps us to resist the colonization of a singular, only seemingly neutral, perspective that closes down living potentialities
In Presence Through Process: Cultivating Embodied Understanding, I set out to re-conceptualize how a...
Increasing awareness of the crucial and complex role of the body in making and experiencing art has ...
I curated the Beyond Perception symposium exhibition held at SRUC in 2015. The Beyond Perception...
Phenomenally strong artworks have the potential to anchor us in reality and to cultivate our percept...
Using as a starting point George Didi-Huberman’s inquiry into what it actually means to have knowled...
This article shares a research methodology that we argue supports human science researchers in their...
The project that I have completed to fulfill the thesis requirement for the Esther G. Maynor Honors ...
Thesis (Ph. D.)--University of Rochester. Program in Visual and Cultural Studies, 2012.In the twenty...
The theoretical notions established in this chapter foreground the importance of perception and expe...
Through a collaborative process with the natural world, and by demonstrating how bodily knowledge an...
Constructive body theology provides an ethical commitment to and a set of analytical principles for ...
One of the recent turns in the humanities and arts research is the switch from a focus on art as a s...
In this article I present an argument for `embodied ways of knowing' as an alternative epistemologic...
This article explores the complex relationships among two different types of critique, the socio-tem...
“We will come to these questions by starting ‘from below’.” (Maurice Merleau-Ponty) “It is at th...
In Presence Through Process: Cultivating Embodied Understanding, I set out to re-conceptualize how a...
Increasing awareness of the crucial and complex role of the body in making and experiencing art has ...
I curated the Beyond Perception symposium exhibition held at SRUC in 2015. The Beyond Perception...
Phenomenally strong artworks have the potential to anchor us in reality and to cultivate our percept...
Using as a starting point George Didi-Huberman’s inquiry into what it actually means to have knowled...
This article shares a research methodology that we argue supports human science researchers in their...
The project that I have completed to fulfill the thesis requirement for the Esther G. Maynor Honors ...
Thesis (Ph. D.)--University of Rochester. Program in Visual and Cultural Studies, 2012.In the twenty...
The theoretical notions established in this chapter foreground the importance of perception and expe...
Through a collaborative process with the natural world, and by demonstrating how bodily knowledge an...
Constructive body theology provides an ethical commitment to and a set of analytical principles for ...
One of the recent turns in the humanities and arts research is the switch from a focus on art as a s...
In this article I present an argument for `embodied ways of knowing' as an alternative epistemologic...
This article explores the complex relationships among two different types of critique, the socio-tem...
“We will come to these questions by starting ‘from below’.” (Maurice Merleau-Ponty) “It is at th...
In Presence Through Process: Cultivating Embodied Understanding, I set out to re-conceptualize how a...
Increasing awareness of the crucial and complex role of the body in making and experiencing art has ...
I curated the Beyond Perception symposium exhibition held at SRUC in 2015. The Beyond Perception...