This is the first comprehensive English-language study of East Asian art history in a transnational context, and challenges the existing geographic, temporal, and generic paradigms that currently frame the art history of East Asia. This pioneering study proposes an important new framework that focuses on the relationship between China, Japan, and Korea. By reconsidering existing concepts of 'East Asia', and examining the porousness of boundaries in East Asian art history, the study proposes a new model for understanding trans-local artistic production - in particular the mechanics of interactions - at the turn of the 20th century
The volume examines the mutually constitutive relationship between the materiality of objects and th...
Through a new idea of ‘the art of decolonisation’, this thesis explores the possibility of socially ...
Japonisme, the area of study of "taste for things Japanese", has been a growing field within art his...
“This ambitious, very important project defines no less than a new field of inquiry, one that scarce...
Until the 20th century, Chinese figure painting and Western figure painting were considered to be tw...
Deconstructing Boundaries: Is 'East Asian Art History' possible? 10-11 October 2015 9:30 AM-6:00 PM ...
Over the last two decades there has been a steady increase in the publication of studies on East Asi...
The art and visual culture that emerged from China, Korea, and Japan during the 20th\ud Century cont...
This paper attempts to incorporate the history of East Asian cultural interac-tions into the field o...
From the late fourteenth through the early fifteenth century, East Asia experienced a period of grea...
Using a comparative analysis approach, this article examines the development, characteristics and is...
In 1912 Josef Strzygowski founded the ‘Section for East Asian Art History’ at the University of Vien...
Extract: "Over the last two decades there has been a steady increase in the publication of studies ...
From the late nineteenth century, works inspired by Western art spread to China and Korea through Ja...
Connecting Across Boundaries: The Use of Chinese Images in Chosŏn Court Art from Transcultural and I...
The volume examines the mutually constitutive relationship between the materiality of objects and th...
Through a new idea of ‘the art of decolonisation’, this thesis explores the possibility of socially ...
Japonisme, the area of study of "taste for things Japanese", has been a growing field within art his...
“This ambitious, very important project defines no less than a new field of inquiry, one that scarce...
Until the 20th century, Chinese figure painting and Western figure painting were considered to be tw...
Deconstructing Boundaries: Is 'East Asian Art History' possible? 10-11 October 2015 9:30 AM-6:00 PM ...
Over the last two decades there has been a steady increase in the publication of studies on East Asi...
The art and visual culture that emerged from China, Korea, and Japan during the 20th\ud Century cont...
This paper attempts to incorporate the history of East Asian cultural interac-tions into the field o...
From the late fourteenth through the early fifteenth century, East Asia experienced a period of grea...
Using a comparative analysis approach, this article examines the development, characteristics and is...
In 1912 Josef Strzygowski founded the ‘Section for East Asian Art History’ at the University of Vien...
Extract: "Over the last two decades there has been a steady increase in the publication of studies ...
From the late nineteenth century, works inspired by Western art spread to China and Korea through Ja...
Connecting Across Boundaries: The Use of Chinese Images in Chosŏn Court Art from Transcultural and I...
The volume examines the mutually constitutive relationship between the materiality of objects and th...
Through a new idea of ‘the art of decolonisation’, this thesis explores the possibility of socially ...
Japonisme, the area of study of "taste for things Japanese", has been a growing field within art his...