A reflection - in the current Brexit climate - of what it means to be a European, collaborative theatre maker with reference to past co-production and trans-European projects 1976 to 2018. This talk will assert the vital importance of working together across national identities and pragmatic boundaries so as to sustain the possibilities of a 'Europe on stage' whilst keeping in mind and problematising the idea of a European culture within a currently complex global one
Cette thèse propose une approche historique de l'esthétique théâtrale européenne qui entretient avec...
This thesis locks into important contemporary questions about the development of the dramaturgy prof...
The unprecedented suspension of cultural events across Europe in March 2020 had a profound impact on...
Can theatre and art be tools for well-being and social develop - ment? Can they help us somehow to b...
This joint paper draws on the work of the international wing of the UK’s Royal Court Theatre, expl...
This joint paper draws on the work of the international wing of the UK’s Royal Court Theatre, explor...
Theatre is a socially and politically aware artform. It participates in the construction – and,\ud p...
This chapter draws on the work of the international wing of the UK’s Royal Court Theatre, explores t...
This essay explores a collaborative Theatre for Social Justice project that took place in London, Un...
The paper investigates the present role of theatre in society; in particular, it seeks to identify t...
During the course of the 1990s, dramaturgical practice in England became identified with the writer-...
Iris Marion Young (1990) believes that the ideal of community “seeks to resist the individualism and...
The paper proposes an overview of the new themes occurred after 1989 in East Central European theatr...
In May 2018 I travelled to Spain with a company of 8 undergraduate student actors to meet 8 acting s...
Lech explores responses to Brexit by multilingual UK-based EU and non-EU theatre practitioners. Situ...
Cette thèse propose une approche historique de l'esthétique théâtrale européenne qui entretient avec...
This thesis locks into important contemporary questions about the development of the dramaturgy prof...
The unprecedented suspension of cultural events across Europe in March 2020 had a profound impact on...
Can theatre and art be tools for well-being and social develop - ment? Can they help us somehow to b...
This joint paper draws on the work of the international wing of the UK’s Royal Court Theatre, expl...
This joint paper draws on the work of the international wing of the UK’s Royal Court Theatre, explor...
Theatre is a socially and politically aware artform. It participates in the construction – and,\ud p...
This chapter draws on the work of the international wing of the UK’s Royal Court Theatre, explores t...
This essay explores a collaborative Theatre for Social Justice project that took place in London, Un...
The paper investigates the present role of theatre in society; in particular, it seeks to identify t...
During the course of the 1990s, dramaturgical practice in England became identified with the writer-...
Iris Marion Young (1990) believes that the ideal of community “seeks to resist the individualism and...
The paper proposes an overview of the new themes occurred after 1989 in East Central European theatr...
In May 2018 I travelled to Spain with a company of 8 undergraduate student actors to meet 8 acting s...
Lech explores responses to Brexit by multilingual UK-based EU and non-EU theatre practitioners. Situ...
Cette thèse propose une approche historique de l'esthétique théâtrale européenne qui entretient avec...
This thesis locks into important contemporary questions about the development of the dramaturgy prof...
The unprecedented suspension of cultural events across Europe in March 2020 had a profound impact on...