Henry VIII used his wardrobe, and that of his family and household, as a way of expressing his wealth and magnificence. This book will encompass the first detailed study of male and female dress worn at the court of Henry VIII (1509-47) and will cover the dress of the king and his immediate family, the royal household and the broader court circle consisting of the nobility and clergy. Evidence will be drawn primarily from the Great Wardrobe accounts, wardrobe warrants, and inventories, and it will be interpreted using evidence from narrative sources, paintings, drawings and surviving garments. Key areas for consideration will include the cut and construction of garments, materials and colours, the function of livery and the hierarchy of dre...
This paper analysis the social significance of seat furniture at the court of Henry VIII drawing on ...
International audienceAround 1430 Philip the Good, Duke of Burgundy and Count of Flanders and Artois...
International audienceAround 1430 Philip the Good, Duke of Burgundy and Count of Flanders and Artois...
English dress in the second half of the sixteenth century has been studied in depth, yet remarkable ...
In the reign of Henry VIII clothing was an increasingly important part of court life. Maria Hayward ...
This study aims to identify how first-hand accounts and sources can inform us about conspicuous cons...
The buildings of the Great Wardrobe are identifiable on the Agas map of 1561-70. They were located w...
HAYWARD Maria Rich apparel : clothing and the law in Henry VIII's England Farnham (GB) : Ashgate, 20...
After 500 years Henry VIII still retains a public fascination unmatched by any monarch before or sin...
Costume, portraiture and the presentation of the individual have been intimately linked throughout t...
International audienceThe aim of this paper is to make a clarification on the luxury dress at the Ea...
International audienceThe aim of this paper is to make a clarification on the luxury dress at the Ea...
This is the first detailed analysis of elite men’s clothing in 17th-century Scotland and its influen...
This thesis examines the use of meaningful and symbolic dress at the late medieval Scottish royal co...
International audienceAround 1430 Philip the Good, Duke of Burgundy and Count of Flanders and Artois...
This paper analysis the social significance of seat furniture at the court of Henry VIII drawing on ...
International audienceAround 1430 Philip the Good, Duke of Burgundy and Count of Flanders and Artois...
International audienceAround 1430 Philip the Good, Duke of Burgundy and Count of Flanders and Artois...
English dress in the second half of the sixteenth century has been studied in depth, yet remarkable ...
In the reign of Henry VIII clothing was an increasingly important part of court life. Maria Hayward ...
This study aims to identify how first-hand accounts and sources can inform us about conspicuous cons...
The buildings of the Great Wardrobe are identifiable on the Agas map of 1561-70. They were located w...
HAYWARD Maria Rich apparel : clothing and the law in Henry VIII's England Farnham (GB) : Ashgate, 20...
After 500 years Henry VIII still retains a public fascination unmatched by any monarch before or sin...
Costume, portraiture and the presentation of the individual have been intimately linked throughout t...
International audienceThe aim of this paper is to make a clarification on the luxury dress at the Ea...
International audienceThe aim of this paper is to make a clarification on the luxury dress at the Ea...
This is the first detailed analysis of elite men’s clothing in 17th-century Scotland and its influen...
This thesis examines the use of meaningful and symbolic dress at the late medieval Scottish royal co...
International audienceAround 1430 Philip the Good, Duke of Burgundy and Count of Flanders and Artois...
This paper analysis the social significance of seat furniture at the court of Henry VIII drawing on ...
International audienceAround 1430 Philip the Good, Duke of Burgundy and Count of Flanders and Artois...
International audienceAround 1430 Philip the Good, Duke of Burgundy and Count of Flanders and Artois...