This article focuses on the narrative structure of the Byzantine vernacular romance Kallimachos and Chrysorrhoe. I argue that the first half of the romance is built upon a tripartite pattern, telling the stories of three male characters playing the role of the princess’ suitor. These three male characters are the hero, the rival, and the dragon, and their stories are reshaped and adapted from a common basic plot, each involving a similar set of typical situations and repeated motives
The story of Troilus and Criseyde constitutes a metanarrative. This thesis is concerned with version...
On the construction of characters in ancient Greek and Roman novels, and their relationship with epi...
This dissertation examines the rhetoric used to represent the romance knight and claims that existin...
This article focuses on the narrative structure of the Byzantine vernacular romance Kallimachos and ...
This article focuses on the narrative structure of the Byzantine vernacular romance Kallimachos and ...
Panagiotis A. Agapitos, Narrative Structure in the Byzantine Vernacular Romances. A textual and lite...
This study concerns four romances in vernacular Greek and in verse which are usually grouped under t...
Magical objects play an important role in the fourteenth-century Byzantine vernacular romance "Kall...
In this paper, I analyze the journey of three brothers told in the late Byzantine romance Kallimacho...
About eight centuries after Heliodorus, the Greek novel resurfaced in the twelfth century, in Komnen...
It has been said that genre is a sprawling literary inclusion that defies definition. Although there...
In the current study, Romance, as a literary style that has some similar and dissimilar features to ...
This study is an attempt to bring together, through an analysis of Narration/narrative strategy, the...
G. Betts (Trad.), Three Medieval Greek Romances. Velthandros and Chrysantza, Kallimachos and Chrysor...
A neglected and marginalized area of Renaissance studies, the role of daughters in the representatio...
The story of Troilus and Criseyde constitutes a metanarrative. This thesis is concerned with version...
On the construction of characters in ancient Greek and Roman novels, and their relationship with epi...
This dissertation examines the rhetoric used to represent the romance knight and claims that existin...
This article focuses on the narrative structure of the Byzantine vernacular romance Kallimachos and ...
This article focuses on the narrative structure of the Byzantine vernacular romance Kallimachos and ...
Panagiotis A. Agapitos, Narrative Structure in the Byzantine Vernacular Romances. A textual and lite...
This study concerns four romances in vernacular Greek and in verse which are usually grouped under t...
Magical objects play an important role in the fourteenth-century Byzantine vernacular romance "Kall...
In this paper, I analyze the journey of three brothers told in the late Byzantine romance Kallimacho...
About eight centuries after Heliodorus, the Greek novel resurfaced in the twelfth century, in Komnen...
It has been said that genre is a sprawling literary inclusion that defies definition. Although there...
In the current study, Romance, as a literary style that has some similar and dissimilar features to ...
This study is an attempt to bring together, through an analysis of Narration/narrative strategy, the...
G. Betts (Trad.), Three Medieval Greek Romances. Velthandros and Chrysantza, Kallimachos and Chrysor...
A neglected and marginalized area of Renaissance studies, the role of daughters in the representatio...
The story of Troilus and Criseyde constitutes a metanarrative. This thesis is concerned with version...
On the construction of characters in ancient Greek and Roman novels, and their relationship with epi...
This dissertation examines the rhetoric used to represent the romance knight and claims that existin...