Although complete works have been written dealing with the structural development of the guitar, to the best of my knowledge no attempt has yet been made to incorporate in one work an account in which structure, playing technique and musical style are correlated. Therefore the aim of this work has been to provide a compendium on these three main aspects of the historical development of the guitar ... The object of Part I is to try and establish the mainstream of the development of the guitar from the earliest beginnings of string instruments to the present day. Since little information and evidence of early instruments (i.e. before 1500 A.D.) is available, it has been necessary to formulate theories on how these developments may have taken ...
Includes bibliographical references (pages 131-133)This thesis is concerned with the guitar music of...
This document explores the role of the baroque violin practices of bowing, chord playing, and slurri...
The guitar is the popular instrument par excellence. As apt for Brazilian sambass for Irish ballads ...
The purpose of this work is to provide an understanding of the performance techniques used in the pr...
Drawing upon data from published and unpublished sources, this thesis examines the classical guitar ...
The purpose of this treatise is to discuss general principles of learning as they relate to classic...
This dissertation is a comparative study of the classical guitar and the Pipa. One of the most popul...
Conceived as instructional material for the guitar students at Marshall University (or anyone intere...
The purpose of the article. The process of evolution of composer’s and performer’s style as a phenom...
This thesis evaluates the technological developments of the nineteenth-century guitar that provided ...
Haile method of classical guitar construction outline used by Frank Pittman for Industrial Education...
For a brief period in the 1550's the guitar enjoyed a popularity that rivaled that of the lute: nine...
RILM abstract: Discusses the four-course guitar from the 15th to the 17th c., the five-course guitar...
This thesis is in four principal sections. Section one covers the period from 1800 to 1823 and begin...
The guitar, its history and development, is discussed. The story of the instrument's development ove...
Includes bibliographical references (pages 131-133)This thesis is concerned with the guitar music of...
This document explores the role of the baroque violin practices of bowing, chord playing, and slurri...
The guitar is the popular instrument par excellence. As apt for Brazilian sambass for Irish ballads ...
The purpose of this work is to provide an understanding of the performance techniques used in the pr...
Drawing upon data from published and unpublished sources, this thesis examines the classical guitar ...
The purpose of this treatise is to discuss general principles of learning as they relate to classic...
This dissertation is a comparative study of the classical guitar and the Pipa. One of the most popul...
Conceived as instructional material for the guitar students at Marshall University (or anyone intere...
The purpose of the article. The process of evolution of composer’s and performer’s style as a phenom...
This thesis evaluates the technological developments of the nineteenth-century guitar that provided ...
Haile method of classical guitar construction outline used by Frank Pittman for Industrial Education...
For a brief period in the 1550's the guitar enjoyed a popularity that rivaled that of the lute: nine...
RILM abstract: Discusses the four-course guitar from the 15th to the 17th c., the five-course guitar...
This thesis is in four principal sections. Section one covers the period from 1800 to 1823 and begin...
The guitar, its history and development, is discussed. The story of the instrument's development ove...
Includes bibliographical references (pages 131-133)This thesis is concerned with the guitar music of...
This document explores the role of the baroque violin practices of bowing, chord playing, and slurri...
The guitar is the popular instrument par excellence. As apt for Brazilian sambass for Irish ballads ...