[From the text]: Physical theatre does have a political agenda but it is not to provide a counter argument in terms of the body/mind divide. It utilises this encompassing approach to argue for the legitimacy and potential of the body and to counteract the argument for the supremacy of the mind over the body. The body is mobilised as a source of power to question conventional views on race, gender, sexual stereotyping and sexuality. This new "physicality" should not be viewed as a negation of the word, the text or the rational, but should be seen rather as an integration of the physical with the vocal, mental and emotional resources of the performer
The past twenty years have seen a substantial rise in physical theatre practice across the United Ki...
A key discourse in contemporary theatre and performance pedagogy is that of training, the use of exe...
This paper responds to calls across the sociological, philosophical and psychological dimensions of ...
Currently theatre movement studies tend to occur in actor and director training, rather than introdu...
This study redefines the political in dance by drawing on the scholarly concept of the “choreopoliti...
Bodydialogue is a coherent and simple system of exercises, rehearsal techniques, principles and aest...
This study conducts an investigation into physical theatre; a multi-faceted and newly-resilient genu...
There are many theories on how to approach the creation of theatre and the training of the actor. My...
Actor Movement: Expression of the Physical Being is a textbook and video resource for the working ac...
Murray’s contributions were written partly from the lived experience of being a professional practit...
Simon Murray (Director of Theatre at Dartington College of Arts) and John Keefe (Senior lecturer at ...
In physical theatre 'the best performances tend to affect audiences viscerally and proceed from inst...
In this thesis I will examine how I use movement in theatre with the goal of moving the audience emo...
Throughout the twentieth century, the mainstream theatre in Western Europe has remained, in spite of...
Thesis (Ph.D.)--University of Washington, 2014The emerging interest in materiality within rhetorical...
The past twenty years have seen a substantial rise in physical theatre practice across the United Ki...
A key discourse in contemporary theatre and performance pedagogy is that of training, the use of exe...
This paper responds to calls across the sociological, philosophical and psychological dimensions of ...
Currently theatre movement studies tend to occur in actor and director training, rather than introdu...
This study redefines the political in dance by drawing on the scholarly concept of the “choreopoliti...
Bodydialogue is a coherent and simple system of exercises, rehearsal techniques, principles and aest...
This study conducts an investigation into physical theatre; a multi-faceted and newly-resilient genu...
There are many theories on how to approach the creation of theatre and the training of the actor. My...
Actor Movement: Expression of the Physical Being is a textbook and video resource for the working ac...
Murray’s contributions were written partly from the lived experience of being a professional practit...
Simon Murray (Director of Theatre at Dartington College of Arts) and John Keefe (Senior lecturer at ...
In physical theatre 'the best performances tend to affect audiences viscerally and proceed from inst...
In this thesis I will examine how I use movement in theatre with the goal of moving the audience emo...
Throughout the twentieth century, the mainstream theatre in Western Europe has remained, in spite of...
Thesis (Ph.D.)--University of Washington, 2014The emerging interest in materiality within rhetorical...
The past twenty years have seen a substantial rise in physical theatre practice across the United Ki...
A key discourse in contemporary theatre and performance pedagogy is that of training, the use of exe...
This paper responds to calls across the sociological, philosophical and psychological dimensions of ...