This thesis presents an analysis of a body of work that I completed between September 1995 and April 1996. I will discuss the raison detre for the work and the historical touchstones that have influenced my thinking and my style. Aspects of the body of work that show its main technical and thematic currents will be discussed. Finally I will present some details of my method of working and how that method works in consonance with the thematic content of the work. My work is at one time intensely personal and, if executed properly, personal to the viewer as well. This duality forms the paradox that is the heart of my work. Paradox, a fundamental aspect of living (eg. kill for peace), can only be dealt with comprehensively in art. When I talk ...