Mass supervision, misrecognition and the ‘Malopticon’

This paper aims to contribute to debates about ‘mass supervision’ by exploring its penal character as a lived experience. It begins with a review of recent studies that have used ethnographic methods to explore how supervision is experienced before describing the two projects (‘Supervisible’ and ‘Mass Supervision: Seen and Heard’) on which the paper draws, explaining these as an attempt to generate a ‘counter-visual criminology’ of mass supervision. I then describe two encounters with ‘Teejay’; encounters in which we explored his experiences of supervision firstly through photography and then through song-writing. Both media are presented alongside Teejay’s commentary on what he sought to convey, inviting the reader to engage with and interpret the pictures and song. In the concluding discussion, I offer my own analysis, arguing that Teejay’s representations suggest a need to recognize mass supervision as ‘Maloptical’ as much as ‘Panoptical’. Through the ‘Malopticon’, the penal subject is seen badly, is seen as bad and is projected and represented as bad. Experiences of misrecognition and misrepresentation constitute significant yet poorly understood pains of supervisory punishment. The paper concludes by suggesting several ways in which a counter-visual criminology might follow Teejay’s lead in exposing and challenging of mass supervision