Can a testimony, a text similar to a document, be a literary work? The answer to this question is definitely positive in the case of R. Antelme (L'espèce humaine) and P. Levi (Se questo è un uomo) who relate their experience from a concentration camp. These authors, remaining faithful to the truth, do not neglect aesthetic requirements, using known narrative techniques and skillfully maintaining the tension characteristic of literary texts. They use an innovative form of narration. It is fragmentary and broken, which fully reflects the character of the prisoners' fate. Finally, a new conception of humanity and a deep reflection on human nature (the titles are meaningful themselves) prove the literary character of both texts
International audienceIn 1966, even though she was aware of the difficulty that lay in re-presenting...
Hériter d’un récit inédit d’expérience concentrationnaire revient à accepter le devoir moral de l’in...
TESTIMONY, ART AND TRAUMA OF THE HOLOCAUST Mass-medias ask the question of limits, when insufferable...
Can a testimony, a text similar to a document, be a literary work? The answer to this question is de...
Can a testimony, a text similar to a document, be a literary work? The answer to this question is d...
LE TÉMOIGNAGE, ENTRE AUTOBIOGRAPHIE ET ROMAN: LA PLACE DE LA FICTION DANS LES RÉCITS DE DÉPORTATION ...
[How to tell the experience of the fields: transmissive and repairer functions of the testimonial na...
Le récit-témoignage est-il un genre littéraire ? Notre recherche répond à cette question, en prenant...
Inheriting the unpublished story of a concentration camp experience implies accepting the moral duty...
Disponible sur Cairn : http://www.cairn.info/resume.php?ID_ARTICLE=LITT_166_0105 Et republié en lign...
This paper discusses some issues concerning the literature of testimony, particularly Primo Levi’s w...
How to tell what cannot be heard? The horror experienced by the oppressed populations during the Naz...
En référence au développement croissant ces dernières décennies des témoignages écrits autour des ex...
WORDS THAT GIVE LIFE : COMMENTARIES ON THE LANGUAGE IN DEPORTATION NARRATIVES Concentration camp rep...
While the witnesses of the events which have shaped the twentieth century have been disappearing, th...
International audienceIn 1966, even though she was aware of the difficulty that lay in re-presenting...
Hériter d’un récit inédit d’expérience concentrationnaire revient à accepter le devoir moral de l’in...
TESTIMONY, ART AND TRAUMA OF THE HOLOCAUST Mass-medias ask the question of limits, when insufferable...
Can a testimony, a text similar to a document, be a literary work? The answer to this question is de...
Can a testimony, a text similar to a document, be a literary work? The answer to this question is d...
LE TÉMOIGNAGE, ENTRE AUTOBIOGRAPHIE ET ROMAN: LA PLACE DE LA FICTION DANS LES RÉCITS DE DÉPORTATION ...
[How to tell the experience of the fields: transmissive and repairer functions of the testimonial na...
Le récit-témoignage est-il un genre littéraire ? Notre recherche répond à cette question, en prenant...
Inheriting the unpublished story of a concentration camp experience implies accepting the moral duty...
Disponible sur Cairn : http://www.cairn.info/resume.php?ID_ARTICLE=LITT_166_0105 Et republié en lign...
This paper discusses some issues concerning the literature of testimony, particularly Primo Levi’s w...
How to tell what cannot be heard? The horror experienced by the oppressed populations during the Naz...
En référence au développement croissant ces dernières décennies des témoignages écrits autour des ex...
WORDS THAT GIVE LIFE : COMMENTARIES ON THE LANGUAGE IN DEPORTATION NARRATIVES Concentration camp rep...
While the witnesses of the events which have shaped the twentieth century have been disappearing, th...
International audienceIn 1966, even though she was aware of the difficulty that lay in re-presenting...
Hériter d’un récit inédit d’expérience concentrationnaire revient à accepter le devoir moral de l’in...
TESTIMONY, ART AND TRAUMA OF THE HOLOCAUST Mass-medias ask the question of limits, when insufferable...