Add to ORKGW. A. Mozart was bom in Salzburg on 27 January 1756 and was buried in an unmarked communal grave in Vienna, on 5 December 1791. The best-loved of his 22 operas and those most widely performed are: Die Entfühmng aus dem Serail, Cosi fan tutte, Le nozze di Figaro, Don Giovanni and Die Zauberflöte. These are all performed in various Croatian theatres. The contemporary approach to direction is of particular interest since tendencies towards a Rococo style were abandoned long ago and characteristics evolving from the post-modernist and political changes in Central an Eastern Europe were adopted
The operas of Wolfgang Amadeus Mozart are fascinating examples of the genre as it existed in the Cla...
Francis Claudon : Mozart and court entertainment. Mozart is often seen as the symbol of an old-fash...
A prodigious and varied output, unmatched lyricism and grace, and delicacy of harmonic effect are Wo...
Wolfgang Amadeus Mozart, an Austrain composer of the 18th century, is known best for his opera compo...
In this fascinating study of Mozart's operas, Nicholas Till shows that the composer was not a "divin...
Recent scholarship has questioned the conventional view of Mozart’s Die Zauberflöte as a masonic all...
Throughout the history of music, the dialogue of cultures in the West-East discourse has produced va...
What remains from the fin-de-siecle Mozart revival is, of course, its aesthetic influence on twentie...
"In the two centuries since Mozart’s La clemenza di Tito was first performed, and the almost three c...
Prologue: Modernity in music.--"A century dead" [Mozart]--Arrigo Boito.--A journalist on tour [Charl...
Mozart’s Die Zauberflöte premiered at auf der Wieden, a viennese theater with a popular, vernacular ...
The 20th-century heralded unprecedented change in ‘classical’ music performance aesthetics as docume...
As a representative of the Viennese classical music tradition, Wolfgang Amadeus Mozart (1756-1791) e...
Witness the timeless wit and splendor of Wolfgang Amadeus Mozart in KSU Opera Theatre\u27s 2016 Spri...
Although the term “concert aria” is a later scholarly appellation applied after Mozart’s lifetime to...
The operas of Wolfgang Amadeus Mozart are fascinating examples of the genre as it existed in the Cla...
Francis Claudon : Mozart and court entertainment. Mozart is often seen as the symbol of an old-fash...
A prodigious and varied output, unmatched lyricism and grace, and delicacy of harmonic effect are Wo...
Wolfgang Amadeus Mozart, an Austrain composer of the 18th century, is known best for his opera compo...
In this fascinating study of Mozart's operas, Nicholas Till shows that the composer was not a "divin...
Recent scholarship has questioned the conventional view of Mozart’s Die Zauberflöte as a masonic all...
Throughout the history of music, the dialogue of cultures in the West-East discourse has produced va...
What remains from the fin-de-siecle Mozart revival is, of course, its aesthetic influence on twentie...
"In the two centuries since Mozart’s La clemenza di Tito was first performed, and the almost three c...
Prologue: Modernity in music.--"A century dead" [Mozart]--Arrigo Boito.--A journalist on tour [Charl...
Mozart’s Die Zauberflöte premiered at auf der Wieden, a viennese theater with a popular, vernacular ...
The 20th-century heralded unprecedented change in ‘classical’ music performance aesthetics as docume...
As a representative of the Viennese classical music tradition, Wolfgang Amadeus Mozart (1756-1791) e...
Witness the timeless wit and splendor of Wolfgang Amadeus Mozart in KSU Opera Theatre\u27s 2016 Spri...
Although the term “concert aria” is a later scholarly appellation applied after Mozart’s lifetime to...
The operas of Wolfgang Amadeus Mozart are fascinating examples of the genre as it existed in the Cla...
Francis Claudon : Mozart and court entertainment. Mozart is often seen as the symbol of an old-fash...
A prodigious and varied output, unmatched lyricism and grace, and delicacy of harmonic effect are Wo...