Impressive. Memory, Matter and Mind

This paper will set out a dualistic pattern, exemplified by (1) a neurobiological account of memory and (2) a short segment of the work of an Austrian avantgarde film-maker. This segment is chosen to simultaneously show a possible proximity as well as the presumable incompatibility of neurological and artistic approaches. The inevitable question of how those points of view relate to each other is taken up in the final section