A highly engaging text that approaches Shakespeare as a maker of theatre, as well as a writer of literature. Leading performance critics dismantle Shakespeare's texts, identifying theatrical cues in ways which develop understanding of the underlying theatricality of Shakespeare's plays and stimulate further performances
Introduction: Plea for an inductive science of literary criticism.--pt. 1. Shakespeare considered as...
This book examines Shakespeare's fascination with the art of narrative and the visuality of language...
William Shakespeare’s comedy The Taming of the Shrew is a curious and often controversial play due t...
Cultural mobility concerns not only new adaptations of source texts, but also critics' positions. Th...
Now in a new edition, Lukas Erne's groundbreaking study argues that Shakespeare, apart from being a ...
Since the first production of Shakespeare's Hamlet at the tum of the seventeenth century, the play h...
The Imprints of Performance is motivated by a longstanding interest in the fundamental interpretive ...
Compared to Ben Jonson, Shakespeare seems far more discreet, or even removed from the controversy ab...
In this controversial new book, Sarah Werner argues that the text of a shakespeare play is only one ...
This article explores recent critical work on Shakespeare and narrative. This is a particularly apt ...
$35.95 paper. What is the state of play in Shakespeare performance studies? As far back as Harley Gr...
Written by a team of leading international scholars, this Companion is designed to illuminate Shakes...
Newspaper reviews will often debate a production's claim to the name “Shakespeare”, generally whenev...
The twenty-first century has seen a marked change in approaches to understanding Shakespeare's texts...
This book studies how the tirades and unrestrained villainy of Shakespeare’s art explode the decorum...
Introduction: Plea for an inductive science of literary criticism.--pt. 1. Shakespeare considered as...
This book examines Shakespeare's fascination with the art of narrative and the visuality of language...
William Shakespeare’s comedy The Taming of the Shrew is a curious and often controversial play due t...
Cultural mobility concerns not only new adaptations of source texts, but also critics' positions. Th...
Now in a new edition, Lukas Erne's groundbreaking study argues that Shakespeare, apart from being a ...
Since the first production of Shakespeare's Hamlet at the tum of the seventeenth century, the play h...
The Imprints of Performance is motivated by a longstanding interest in the fundamental interpretive ...
Compared to Ben Jonson, Shakespeare seems far more discreet, or even removed from the controversy ab...
In this controversial new book, Sarah Werner argues that the text of a shakespeare play is only one ...
This article explores recent critical work on Shakespeare and narrative. This is a particularly apt ...
$35.95 paper. What is the state of play in Shakespeare performance studies? As far back as Harley Gr...
Written by a team of leading international scholars, this Companion is designed to illuminate Shakes...
Newspaper reviews will often debate a production's claim to the name “Shakespeare”, generally whenev...
The twenty-first century has seen a marked change in approaches to understanding Shakespeare's texts...
This book studies how the tirades and unrestrained villainy of Shakespeare’s art explode the decorum...
Introduction: Plea for an inductive science of literary criticism.--pt. 1. Shakespeare considered as...
This book examines Shakespeare's fascination with the art of narrative and the visuality of language...
William Shakespeare’s comedy The Taming of the Shrew is a curious and often controversial play due t...
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