O MOGUĆNOSTI ANALIZE ENGLESKIH EGZOCENTRIČNIH SLOŽENICA

In the past two decades, numerous studies have been written on the successful application of metaphor, metonymy and blending in the analysis of idiomatic expressions which traditional linguistic literature treated as semantically unanalysable phenomena, that go against the theory of compositionality (on the nonanalysability of idioms see for example Allen 1986, Cruse 1991, Fraser 1970; on the analysability of idioms see for example Benczes 2002, Gibbs 1994, Lakoff 1987, Kövecses and Szabó 1996). A similar view was adopted for the so-called exocentric compound expressions (for the original definition of endo- and exocentricity see Bloomfield 1933)1. Since the vast majority of English compounds is endocentric (Bloomfield 1933), linguistic literature has a tendency to mention exocentric combinations only peripherally (if they are mentioned at all), and views these constructions as semantically non-transparent (see for example Dirven and Verspoor 1998, Jespersen 1954, Katamba 1993, Levi 1978, Marchand 1960, Selkirk 1982, Spencer 1991). The present paper takes a close look at these much-ignored constructions and claims that the semantic relations that might hold between the modifier and head elements of such compounds are exactly the same as those that exist between the modifier and the head of endocentric compounds (e.g. part–whole; source–result, time–object, etc.). Moreover, “exocentric” or “non-transparent” compounds are just as easily analysable as endocentric ones. With the help of cognitive linguistic “tools” such as metaphor, metonymy and blending among others, their meaning becomes analysable and transparent. Thus there is no need for the traditional distinction between the two categories of semantically endocentric and exocentric compounds: all we are dealing with is a more imaginative word formation process. Therefore I suggest using the term “creative compound” for metaphorical (and/or metonymical) noun–noun combinations.Brojni su radovi napisani u posljednja dva desetljeća o uspješnoj primjeni metafore, metonimije i konceptualne integracije u analizi idiomatskih izraza koje je tradicionalna lingvistička literatura držala pojavama koje se opiru analizi, a koji nisu u skladu s teorijom kompozicionalnosti (o nemogućnosti analize idioma usp. Allen 1986, Cruse 1991, Fraser 1970, a o mogućnostima njihove analize Benczes 2002, Gibbs 1994, Lakoff 1987, Kövecses and Szabó 1996). Slično se pristupalo i tzv. egzocentričnim složenicama (o izvornim definicijama endocentričnosti i egzocentričnosti vidi Bloomfield 1933). Kako je velika većina engleskih složenica endocentrična (Bloomfield 1933), lingvistička je literatura egzocentrične kombinacije spominjala samo uzgred (ako ih se uopće i spominjalo) te ih se držalo semantički netransparentnima (usp. Dirven i Verspoor 1998, Jespersen 1954, Katamba 1993, Levi 1978, Marchand 1960, Selkirk 1982, Spencer 1991). U ovom se prilogu razmatraju te zanemarene konstrukcije te se tvrdi da su semantički odnosi između glave i modifikatora potpuno isti onima kod endocentričnih složenica (napr. dio-cjelina, izvor-rezultat, vrijeme-objekt, itd.). Štoviše, tvrdi se da se “egzocentrične” odnosno “netransparentne” složenice mogu jednako lako analizirati kao i endocentrične. Uz pomoć kognitivnih “alata” poput metafore, metonimije i konceptualne integracije, njihovo značenje postaje transparentno i podložno analizi te stoga nema potrebe za tradicionalnom distinkcijom između semantički endocentričnih i egzocentričnih složenica. Umjesto toga predlažem pojam “kreativna složenica” za metaforičke (i/ili metonimijske) kombinacije tipa imenica + imenica