Add to ORKGThe growth of the literary market in the eighteenth century changed concepts of authorship. Portrait conventions were also used to frame authorial personality. By looking at pictorial representations of men and women authors, in paintings and prints, I identify conflicting images of authorship. Idealised representations of the author as gentleman or lady are contrasted with images of the violence of market forces. Polite restraint of the self-conscious individual genius has to face the unruly passions and interests that characterise the new social relations of literary production
This dissertation examines representations of authorship and subjecthood in the Romantic period as p...
Introduced in French Salons as a parlor game, the literary portrait appears in mid Seventeenth-Centu...
Portraits, especially those outside the medium of oil-on-canvas, have been a neglected and often dis...
In this text, I study the practice of painted self-portraiture in late eighteenth-century France, wi...
This article examines how the spaces between the words and images of various forms of picture identi...
This essay looks at different questions facing authorship in the eighteenth century, from the widesp...
This article examines how two female writers of the early nineteenth century, Amelia Opie and Jane A...
This dissertation examines the ways in which British women authors engaged with visual representatio...
Painting the Novel: Pictorial Discourse in Eighteenth-Century English Fiction focuses on the interre...
The history of portraiture, in both literature and the graphic arts, reaches back to antiquity. This...
The title of this thesis, Images of the Maker, has been chosen to suggest that during the period 18...
The literary portrait was extremely popular in France for a number of years during the mid-seventeen...
textThis dissertation has two main objectives. First, it intends to show that early modern German a...
This dissertation, Questioning Authorship in Twentieth-Century Literary Autobiography, provides re...
Literary portraits, as the basic mode of character development in the seventeenth century, constitut...
This dissertation examines representations of authorship and subjecthood in the Romantic period as p...
Introduced in French Salons as a parlor game, the literary portrait appears in mid Seventeenth-Centu...
Portraits, especially those outside the medium of oil-on-canvas, have been a neglected and often dis...
In this text, I study the practice of painted self-portraiture in late eighteenth-century France, wi...
This article examines how the spaces between the words and images of various forms of picture identi...
This essay looks at different questions facing authorship in the eighteenth century, from the widesp...
This article examines how two female writers of the early nineteenth century, Amelia Opie and Jane A...
This dissertation examines the ways in which British women authors engaged with visual representatio...
Painting the Novel: Pictorial Discourse in Eighteenth-Century English Fiction focuses on the interre...
The history of portraiture, in both literature and the graphic arts, reaches back to antiquity. This...
The title of this thesis, Images of the Maker, has been chosen to suggest that during the period 18...
The literary portrait was extremely popular in France for a number of years during the mid-seventeen...
textThis dissertation has two main objectives. First, it intends to show that early modern German a...
This dissertation, Questioning Authorship in Twentieth-Century Literary Autobiography, provides re...
Literary portraits, as the basic mode of character development in the seventeenth century, constitut...
This dissertation examines representations of authorship and subjecthood in the Romantic period as p...
Introduced in French Salons as a parlor game, the literary portrait appears in mid Seventeenth-Centu...
Portraits, especially those outside the medium of oil-on-canvas, have been a neglected and often dis...