One of the many requisites of classical epics that the humanist poets often used to ornate their heroic poems are the so called epic similes, elaborate similes in which the comparison is extended by means of an image in movement, with numerous particulars and a characteristic action. The stress is always on the visual, the realistic and the dynamic, the aim being to convey the image in its “totality”; the result is a more complete and a more vivid illustration of the proposed comparison. Such similes demand, of course, more space and in poems they are likely to occupy up to several lines, since here, unlike in metaphors and simple similes, the conciseness and economy of expression are not crucial. Many examples of the use of this vehicle ma...