The writer analyses the perception of Marko Marulić in the oeuvre of Antun Gustav Matoš, in the writings published in the first decade of the twentieth century. Although he wrote no dedicated work or article about the first Croatian literary classic, Matoš mentioned him relatively frequently in associative sequences, catalogues, when he was speaking of the Croatian past and the contemporary state of the nation, as poetic and national value from the tradition that needs to be kept up. The writer in addition establishes certain intertextual links between Matoš and Judita, in an account of a journey the poet took to Samobor. It is also established that Matoš was the first to use the now well-known affective titles for the “father of Croatian l...