Stylistic characteristics of novels by Zvonimir Remeta

U radu se govori o Zvonimiru Remeti kao predstavniku psihološkoga realizma u hrvatskoj književnosti koji četrdesetih godina 20. st. objavljuje tri uspjela, tematski i oblikovno vrlo slična romana: Grieh, Tako svršava i Sentimentalna reportaža, a u kojima je pokazao istančan smisao za poniranje u skrovite interijere svojih likova. Pri tome je posegnuo za odgovarajućim pripovjednim tehnikama, a neobičnu draž spomenutim romanima dao je osebujan stil ovoga pisca, s posebnim naglaskom na poetizaciju izraza te specifčne opise pejzaža. S gledišta razvoja romanesknoga diskursa može se reći da Remeta nije obilježio početak hrvatske psihološke proze jer se njezini začetci u hrvatskoj književnosti mogu pratiti još otprije, ali je svojim izvornim načinom pripovijedanja i specifčnim literarnim postupcima svakako obogatio takvu vrstu proze i dao joj nove izražajne mogućnosti.Te paper deals with Zvonimir Remeta, representative of psychological realism in Croatian literature, who in the 1940s published three successful novels similar in form and topic: “Grieh”, “Tako svršava” and “Sentimentalna reportaža”. In those novels he showed his subtle sense for infltration in secret interiors of his characters. He used adequate narrative techniques and his peculiar style gave an unusual charm to the mentioned novels with special emphasis on expression poetization and specifc descriptions of landscapes. From the viewpoint of novelistic discourse development it can be said that Remeta did not mark the beginning of the Croatian psychological prose, because its beginnings in the Croatian literature can be followed from earlier periods, but he defnitely enriched that kind of prose and gave it new expression possibilities by his original way of narrating and specifc literary procedures