This essay analyses the representation of female perpetrators in Holocaust fiction films, particularly in relation to the persecution of prisoners in the Nazi camps. The screening of women in general, and female perpetrators in particular, is shown to be problematic due to their frequent marginalisation and the gendered, voyeuristic ways in which women\u27s bodies are often objectified in Holocaust films. While the actions of female perpetrators and their depiction in films pose acute problems of judgement and representation that need to be acknowledged, it is argued that films have the potential to effectively explore the issue of women\u27s complicity in the Holocaust
Representing the Holocaust has often been posed as a limit or impossibility in the\ud literary and v...
This article examines the portrayal of female Gentile rescuers in Holocaust films. We analyze two re...
In my thesis I argue that the representation of women who kill is a construction of female identity ...
This essay analyses the representation of female perpetrators in Holocaust fiction films, particular...
The persistence of filmmakers in tackling the subject of the Holocaust over the last seven decades h...
This piece unpacks how Holocaust-related films - ranging from Nazisploitation cinema (Love Camp 7, 1...
From 1941-1945, the Nazi regime perpetrated one of the worst atrocities in recorded history. Approxi...
Auschwitz survivor Primo Levi’s highly influential essay, “The Grey Zone”, explores the tabo...
This essay addresses how in the film Zeugin aus der Hölle, (1965, Witness out of hell) fictional sex...
This article examines the portrayal of female Gentile rescuers in Holocaust films. We analyze two re...
This thesis analyses the ways in which moral judgements of so-called privileged Jews are constructed...
This essay considers taboos that have developed in and around Holocaust literature, focusing on cont...
This paper explores how women are depicted in films about the Holocaust. Close readings of three fil...
Zvezdi/Sterne” (Stars), an Bulgarian/East-German co-production directed by Konrad Wolf, is one of th...
Israeli culture in the 1940s and 1950s was dominated by ideological considerations. Zionist films, a...
Representing the Holocaust has often been posed as a limit or impossibility in the\ud literary and v...
This article examines the portrayal of female Gentile rescuers in Holocaust films. We analyze two re...
In my thesis I argue that the representation of women who kill is a construction of female identity ...
This essay analyses the representation of female perpetrators in Holocaust fiction films, particular...
The persistence of filmmakers in tackling the subject of the Holocaust over the last seven decades h...
This piece unpacks how Holocaust-related films - ranging from Nazisploitation cinema (Love Camp 7, 1...
From 1941-1945, the Nazi regime perpetrated one of the worst atrocities in recorded history. Approxi...
Auschwitz survivor Primo Levi’s highly influential essay, “The Grey Zone”, explores the tabo...
This essay addresses how in the film Zeugin aus der Hölle, (1965, Witness out of hell) fictional sex...
This article examines the portrayal of female Gentile rescuers in Holocaust films. We analyze two re...
This thesis analyses the ways in which moral judgements of so-called privileged Jews are constructed...
This essay considers taboos that have developed in and around Holocaust literature, focusing on cont...
This paper explores how women are depicted in films about the Holocaust. Close readings of three fil...
Zvezdi/Sterne” (Stars), an Bulgarian/East-German co-production directed by Konrad Wolf, is one of th...
Israeli culture in the 1940s and 1950s was dominated by ideological considerations. Zionist films, a...
Representing the Holocaust has often been posed as a limit or impossibility in the\ud literary and v...
This article examines the portrayal of female Gentile rescuers in Holocaust films. We analyze two re...
In my thesis I argue that the representation of women who kill is a construction of female identity ...