Add to ORKGA comprehension of the interpretations and performing techniques of Handel\u27s works is sought in order to perform a program of his vocal works. Genres, 17th and 18th century performance practice, modern interpretation of the repertoire and the author\u27s personal realisations are examined
The oratorio, La Resurrezione (1708) is considered by many to represent the summary of George Frede...
This study seeks to discover Handel’s likely improvisational process, specifically in the adagio ad ...
Eighteenth-century London was a hotbed for instrumental arrangements, and many of these works were d...
Thesis (M.Mus.)--North-West University, Potchefstroom Campus, 2010.In this study, historically infor...
This chapter addresses Baroque performance practice through the perspectives of higher education ped...
The purpose of this study is to give some insight into the soprano role in Hgndel's operas in compar...
Includes recorded audio files in WAV and MP3 formats, 66:93 in lengthThe repertoire presented in thi...
The article is dedicated to virtuosity of vocal arias in Giulio Cesare in Egitto by George Frideric ...
The article is dedicated to virtuosity of vocal arias in Giulio Cesare in Egitto by George Frideric ...
Artistic and expressive means of creating stage imagery in the opera are closely related to the perf...
A two-fold analysis of the vocal ornamentation in Handel's aria, "He was despised" from Messiah, was...
Although long-neglected, the topic of Handel's operatic oeuvre has in recent years gained new curren...
This dissertation provides the first comprehensive study ever undertaken of Handel's accompanied rec...
The lecture recital was given on April 18, 1977. The subject was Adaptation of Handel's Castrato Air...
As a young singer, it is inevitable that one is bombarded with the history of singing. Not only are...
The oratorio, La Resurrezione (1708) is considered by many to represent the summary of George Frede...
This study seeks to discover Handel’s likely improvisational process, specifically in the adagio ad ...
Eighteenth-century London was a hotbed for instrumental arrangements, and many of these works were d...
Thesis (M.Mus.)--North-West University, Potchefstroom Campus, 2010.In this study, historically infor...
This chapter addresses Baroque performance practice through the perspectives of higher education ped...
The purpose of this study is to give some insight into the soprano role in Hgndel's operas in compar...
Includes recorded audio files in WAV and MP3 formats, 66:93 in lengthThe repertoire presented in thi...
The article is dedicated to virtuosity of vocal arias in Giulio Cesare in Egitto by George Frideric ...
The article is dedicated to virtuosity of vocal arias in Giulio Cesare in Egitto by George Frideric ...
Artistic and expressive means of creating stage imagery in the opera are closely related to the perf...
A two-fold analysis of the vocal ornamentation in Handel's aria, "He was despised" from Messiah, was...
Although long-neglected, the topic of Handel's operatic oeuvre has in recent years gained new curren...
This dissertation provides the first comprehensive study ever undertaken of Handel's accompanied rec...
The lecture recital was given on April 18, 1977. The subject was Adaptation of Handel's Castrato Air...
As a young singer, it is inevitable that one is bombarded with the history of singing. Not only are...
The oratorio, La Resurrezione (1708) is considered by many to represent the summary of George Frede...
This study seeks to discover Handel’s likely improvisational process, specifically in the adagio ad ...
Eighteenth-century London was a hotbed for instrumental arrangements, and many of these works were d...