Add to ORKGThis thesis argues for a contemporary concept of the gaze. A brief history of film and of psychoanalysis sets up the history of the spectator, of the fetish and of the gaze. From this context, the contemporary spectating process is examined through the film "Boys don\u27t cry"
Within the ethnographies, memories, and archives produced throughout a capitalist empire, the ‘gaze’...
This article analyses the gazes, looks, stares and glares in Laurence Anyways (Xavier Dolan, 2012), ...
In ‘Visual Pleasure and Narrative Cinema’, Laura Mulvey says the gender inequality that favours men...
Academic research on the gaze has been widely criticised within visual art in recent years. This a r...
In Visual Pleasure and Narrative Cinema, Laura Mulvey uses psychoanalytic theory to explain the acti...
This article aims to join the contemporary effort to promote a psychoanalytic renaissance within cin...
Analytic account of theories of spectatorship as pioneered in the theory of cinema. Th gaze as a con...
This work deals with the study of sexuality in spectator’s relation to the film. Such relation to fi...
Coined by English art critic, John Berger, in 1972 and popularized by British feminist film theorist...
The dissertation examines cinematic and cultural inscriptions of gender and sexuality through texts ...
This dissertation seeks to offer a revision of the Lacanian film theory, which was prevalent during ...
In this thesis the author argues that although questions of the spectator’s corporeal engagement wit...
When investigating early and contemporary cinema, the presence of the male gaze is a much-discussed ...
Australian director Cate Shortland’s dramatic thriller Berlin Syndrome (2017) follows the convention...
Situated at the boundary between Liberal Arts and diverse scientific approaches, artistic research h...
Within the ethnographies, memories, and archives produced throughout a capitalist empire, the ‘gaze’...
This article analyses the gazes, looks, stares and glares in Laurence Anyways (Xavier Dolan, 2012), ...
In ‘Visual Pleasure and Narrative Cinema’, Laura Mulvey says the gender inequality that favours men...
Academic research on the gaze has been widely criticised within visual art in recent years. This a r...
In Visual Pleasure and Narrative Cinema, Laura Mulvey uses psychoanalytic theory to explain the acti...
This article aims to join the contemporary effort to promote a psychoanalytic renaissance within cin...
Analytic account of theories of spectatorship as pioneered in the theory of cinema. Th gaze as a con...
This work deals with the study of sexuality in spectator’s relation to the film. Such relation to fi...
Coined by English art critic, John Berger, in 1972 and popularized by British feminist film theorist...
The dissertation examines cinematic and cultural inscriptions of gender and sexuality through texts ...
This dissertation seeks to offer a revision of the Lacanian film theory, which was prevalent during ...
In this thesis the author argues that although questions of the spectator’s corporeal engagement wit...
When investigating early and contemporary cinema, the presence of the male gaze is a much-discussed ...
Australian director Cate Shortland’s dramatic thriller Berlin Syndrome (2017) follows the convention...
Situated at the boundary between Liberal Arts and diverse scientific approaches, artistic research h...
Within the ethnographies, memories, and archives produced throughout a capitalist empire, the ‘gaze’...
This article analyses the gazes, looks, stares and glares in Laurence Anyways (Xavier Dolan, 2012), ...
In ‘Visual Pleasure and Narrative Cinema’, Laura Mulvey says the gender inequality that favours men...