In this paper we look at the persistent debate over notions of access and excellence and intrinsic and instrumentalist rationales for arts practice within cultural policy discussion. Recent research into the Indigenous performing arts in Australia underlines the particular difficulties faced by the sector in balancing the demands of community participation, social inclusion and high-quality aesthetic outcomes. The balancing act has proven unsustainable for some Indigenous performing arts companies and their viability is now in doubt. This suggests that a re-consideration of the question of the purpose and value of the Indigenous performing arts is timely.<br /
I begin this chapter by arguing against any sort of prescriptive definitions for Indigenous Australi...
In February 2008, Prime Minister Kevin Rudd apologised to the Stolen Generations on behalf of the Au...
This book is concerned with the ways in which Indigenous peoples express their cultural and social i...
In this paper we look at the persistent debate over notions of access and excellence and intrinsic a...
Indigenous arts are significant to the way Australia is represented to the world. Since the early 19...
The Indigenous Arts Policy Forum held on 7 October 2011 showed that issues such as cultural maintena...
Public support for both Indigenous filmmaking and the live performing arts has a number of common fe...
Over the past 30 years, visual art has shone as a beacon of Aboriginal cultural survival, adaptatio...
Building Audiences examines the barriers to and the strategies for increasing audiences in the Abori...
As well as being central to cultural life, art is also important to the economic life of Indigenous ...
This research project has been an active collaboration between the ACCC, CAEPR and ATSIC
It is gradually being recognised by both Indigenous and non-Indigenous Australians that getting cont...
An examination of Australian media reports over the last twelve months on the subject of Indigenous ...
The following is an edited version of Liza Lim’s keynote lecture presented for the Inaugural Totally...
This Issues Paper is a first step in the development of an Indigenous Arts Strategy (IAS) for the No...
I begin this chapter by arguing against any sort of prescriptive definitions for Indigenous Australi...
In February 2008, Prime Minister Kevin Rudd apologised to the Stolen Generations on behalf of the Au...
This book is concerned with the ways in which Indigenous peoples express their cultural and social i...
In this paper we look at the persistent debate over notions of access and excellence and intrinsic a...
Indigenous arts are significant to the way Australia is represented to the world. Since the early 19...
The Indigenous Arts Policy Forum held on 7 October 2011 showed that issues such as cultural maintena...
Public support for both Indigenous filmmaking and the live performing arts has a number of common fe...
Over the past 30 years, visual art has shone as a beacon of Aboriginal cultural survival, adaptatio...
Building Audiences examines the barriers to and the strategies for increasing audiences in the Abori...
As well as being central to cultural life, art is also important to the economic life of Indigenous ...
This research project has been an active collaboration between the ACCC, CAEPR and ATSIC
It is gradually being recognised by both Indigenous and non-Indigenous Australians that getting cont...
An examination of Australian media reports over the last twelve months on the subject of Indigenous ...
The following is an edited version of Liza Lim’s keynote lecture presented for the Inaugural Totally...
This Issues Paper is a first step in the development of an Indigenous Arts Strategy (IAS) for the No...
I begin this chapter by arguing against any sort of prescriptive definitions for Indigenous Australi...
In February 2008, Prime Minister Kevin Rudd apologised to the Stolen Generations on behalf of the Au...
This book is concerned with the ways in which Indigenous peoples express their cultural and social i...