This chapter was originally prefaced with an audio-visual presentation showing key scenes from Martin Scorsese’s film, The Last Temptation of Christ, cut to the folk hymn, ‘Go Tell Everyone’, which is reproduced below. The video segued into a short duologue, which dramatised the ambiguity inherent in God’s call. The presentation concluded with the same hymn accompanied by images of the poor, the marginalised and the powerful.<br /
The release of the film has engendered a spectrum of fervent responses, becoming in itself atheologi...
Focusing on viewer response to Mel Gibson\u27s The Passion of the Christ, this article interrogates ...
Although great strides have been made since the landmark 1969 Stonewall Riots in liberating queer eq...
Martin Scorsese’s film The Last Temptation of Christ (1988) has polarised critics and audience...
Numerous attempts have been made to portray Christ in fictionalized adaptations, almost inevitably r...
Films about Jesus attempt to interpret the gospel in light of both cultural issues and the concerns ...
Marking the invention of cinema as a point of entry and consequent filmic narratives about Jesus as ...
Dr. Lewis compares the movies of Ben Hur and King of Kings for the way in which they treat the m...
An effective technique for teaching religion/theology students the virtues of close reading of fil...
One of the challenges for theology is the apparent ease with which one can search for correlations b...
Scorsese draws a personal portrait of Christ tempted to « get off the cross and live the rest of His...
This review of Mel Gibson\u27s film The Passion of the Christ reveals its anti-Semitic tendencies. B...
Scripture generally lacks all but the barest bones for constructing a watchable and interesting tale...
In lieu of an abstract, below is the essay\u27s first paragraph. Antonia Bird’s 1995 film “Priest” ...
The purpose of this investigation is to discuss popular film interpretations of Christ’s life and ho...
The release of the film has engendered a spectrum of fervent responses, becoming in itself atheologi...
Focusing on viewer response to Mel Gibson\u27s The Passion of the Christ, this article interrogates ...
Although great strides have been made since the landmark 1969 Stonewall Riots in liberating queer eq...
Martin Scorsese’s film The Last Temptation of Christ (1988) has polarised critics and audience...
Numerous attempts have been made to portray Christ in fictionalized adaptations, almost inevitably r...
Films about Jesus attempt to interpret the gospel in light of both cultural issues and the concerns ...
Marking the invention of cinema as a point of entry and consequent filmic narratives about Jesus as ...
Dr. Lewis compares the movies of Ben Hur and King of Kings for the way in which they treat the m...
An effective technique for teaching religion/theology students the virtues of close reading of fil...
One of the challenges for theology is the apparent ease with which one can search for correlations b...
Scorsese draws a personal portrait of Christ tempted to « get off the cross and live the rest of His...
This review of Mel Gibson\u27s film The Passion of the Christ reveals its anti-Semitic tendencies. B...
Scripture generally lacks all but the barest bones for constructing a watchable and interesting tale...
In lieu of an abstract, below is the essay\u27s first paragraph. Antonia Bird’s 1995 film “Priest” ...
The purpose of this investigation is to discuss popular film interpretations of Christ’s life and ho...
The release of the film has engendered a spectrum of fervent responses, becoming in itself atheologi...
Focusing on viewer response to Mel Gibson\u27s The Passion of the Christ, this article interrogates ...
Although great strides have been made since the landmark 1969 Stonewall Riots in liberating queer eq...