This thesis discusses the interconnection of 'performance' and 'improvisation', which, despite its long and established history, has always proved difficult to definitively pin down. My research question presupposes that 'performance' and 'improvisation' are neither completely separate nor completely interchangeable. I focus on the area where 'performance' and 'improvisation' overlap each other, which I call 'performance improvisation'. The thesis seeks to answer the question, 'What can I induce from materials focussed around the individual "creativities" that might serve to construct a prototypical explanation to define "performance improvisation"? '. The main chapters interpret and analyse materials written and published betwe...
Improvisation has often been viewed and valued in terms of its service and resemblance to scripted t...
This presentation begins as a lecture about improvisation as performance and gradually develops into...
This chapter will explore the ways that live improvisational performances by professional-level acto...
This paper pursues two main aims. First, it distinguishes two kinds of improvisation: expert and ine...
This paper pursues two main aims. First, it distinguishes two kinds of improvisation: expert and ine...
This thesis investigates the role of musical improvisation in relation to composition, innovation, a...
My principal research question is: How can the directed devising techniques and principles of practi...
The Place From Which I See is a practice-led investigation into performance improvisation in which I...
A performance lecture by Prof V L Midgelow (Middlesex University, UK) What am I? she asks. In...
In The Metaphysics of Improvisation, I criticize wrongheaded metaphysical views of, and theories a...
This thesis is an exploration of a series of related elements that combine to form a personal ‘journ...
In The Metaphysics of Improvisation, I criticize wrongheaded metaphysical views of, and theories a...
Theoretical thesis."This thesis is presented as a partial fulfilment to the requirements for the Doc...
A performance lecture by Prof V L Midgelow (Middlesex University, UK) What am I? she asks. In a sol...
This thesis supports a practice-based-research project that examines differing methodologies of imp...
Improvisation has often been viewed and valued in terms of its service and resemblance to scripted t...
This presentation begins as a lecture about improvisation as performance and gradually develops into...
This chapter will explore the ways that live improvisational performances by professional-level acto...
This paper pursues two main aims. First, it distinguishes two kinds of improvisation: expert and ine...
This paper pursues two main aims. First, it distinguishes two kinds of improvisation: expert and ine...
This thesis investigates the role of musical improvisation in relation to composition, innovation, a...
My principal research question is: How can the directed devising techniques and principles of practi...
The Place From Which I See is a practice-led investigation into performance improvisation in which I...
A performance lecture by Prof V L Midgelow (Middlesex University, UK) What am I? she asks. In...
In The Metaphysics of Improvisation, I criticize wrongheaded metaphysical views of, and theories a...
This thesis is an exploration of a series of related elements that combine to form a personal ‘journ...
In The Metaphysics of Improvisation, I criticize wrongheaded metaphysical views of, and theories a...
Theoretical thesis."This thesis is presented as a partial fulfilment to the requirements for the Doc...
A performance lecture by Prof V L Midgelow (Middlesex University, UK) What am I? she asks. In a sol...
This thesis supports a practice-based-research project that examines differing methodologies of imp...
Improvisation has often been viewed and valued in terms of its service and resemblance to scripted t...
This presentation begins as a lecture about improvisation as performance and gradually develops into...
This chapter will explore the ways that live improvisational performances by professional-level acto...