[[abstract]]Movie industry is an example of a typical “experience product” market. The pre-consumption quality of such a product is difficult to assess without actually viewing the movie. In distinguishing between sellers of high- and low-quality products before consumption, consumers in such markets look for credible information about products and sellers that firms can provide using “signals” to assess the new product quality. It also can mitigate consumers to exposure to risk and uncertainty. Especially for motion picture industry, nearly all financing decisions are made before films are produced. Thus, team members in the film production are the important sources to be signals to assess the film quality. We investigate what factors are...
ABSTRACT. This paper extends the traditional, static cost and revenue model developed in manufacturi...
We investigate what factors are required in order to succeed in project-based cultural industries. I...
In this article, we build on Stigler and Becker’s (1977) “consumption capitaltheory” and propose a n...
Academic research pertaining to the marketing of film industry has identified advertising, film-maki...
Each year, Hollywood studios invest more than US $ 10 billion in feature films. While some of the p...
Reputations of organizations and its individual members are valuable resources that help new organiz...
This study analyzes a comprehensive sample of 1,892 films from 2007-2019, looking at the relations b...
The purpose of this paper is to explore the role of stars and other potential informational signals ...
Introduction Movies are considered entertainment goods. Entertainment is one of the experience indus...
A key challenge for companies engaging in new product development (NPD) is to reduce uncertainty by ...
Everyone knows that the movie business is risky. But how risky is it? Do strategies exist that reduc...
Everyone knows that the movie business is risky. But how risky is it? Do strategies exist that reduc...
Product innovation is the key revenue driver in the motion picture industry. Because major studios t...
The film industry is characterised by high levels of uncertainty, yet the firms that dominate global...
This paper investigates the factors associated with the success of creative products and services, f...
ABSTRACT. This paper extends the traditional, static cost and revenue model developed in manufacturi...
We investigate what factors are required in order to succeed in project-based cultural industries. I...
In this article, we build on Stigler and Becker’s (1977) “consumption capitaltheory” and propose a n...
Academic research pertaining to the marketing of film industry has identified advertising, film-maki...
Each year, Hollywood studios invest more than US $ 10 billion in feature films. While some of the p...
Reputations of organizations and its individual members are valuable resources that help new organiz...
This study analyzes a comprehensive sample of 1,892 films from 2007-2019, looking at the relations b...
The purpose of this paper is to explore the role of stars and other potential informational signals ...
Introduction Movies are considered entertainment goods. Entertainment is one of the experience indus...
A key challenge for companies engaging in new product development (NPD) is to reduce uncertainty by ...
Everyone knows that the movie business is risky. But how risky is it? Do strategies exist that reduc...
Everyone knows that the movie business is risky. But how risky is it? Do strategies exist that reduc...
Product innovation is the key revenue driver in the motion picture industry. Because major studios t...
The film industry is characterised by high levels of uncertainty, yet the firms that dominate global...
This paper investigates the factors associated with the success of creative products and services, f...
ABSTRACT. This paper extends the traditional, static cost and revenue model developed in manufacturi...
We investigate what factors are required in order to succeed in project-based cultural industries. I...
In this article, we build on Stigler and Becker’s (1977) “consumption capitaltheory” and propose a n...