遷台初期文藝政策下的美術創作(1949-1984)

[[abstract]]In the early stage soon after Kuomingdong government retreated from China to Taiwan, a series of literary and art movement with the “fighting spirit” (or military literary and art) was introduced and greatly promoted across the island with both social and governmental propaganda machine. The literary and art movement with fighting spirit had become the main stream of literary and art at that time. As we look back, sixty years later, at the literary policy and the artistic expression at that time, and from these special topics and contents of the art work, we can look into objectively the humanity of that society and examine the conflicting and relationship between the politics and art during this period of time. This research covers thirty five years of Taiwan literary and art from 1949 to 1984. It is divided into four periods according to the development of literary and art policy and its influence on the society. The political atmosphere then, the direction of the policy, the actual activity of art and artistic expression exhibited by art works are covered in this work. The neglected art history of this period has been re-examined with an objective and broad viewpoint. It is hoped that the readers will look at this work with a greater and broader view in analyzing and judging the art history of this period.