REALM OF CONVERSION: THE FUSION OF EASTERN AND WESTERN PAINTING AND THINKING

[[abstract]]Art is a possessing tiny powerful concrete image, which derives from common life, having philosophical meaning, which no need to search specially. Therefore, the author wondering throughout everyday images trying to find on the canvases explanation of sense of life. This point also become the theme and goal of author`s article. Blank, as a part of Chinese ink painting, reflects visual effects and subconsciousness understanding of illusion, reality, existence and non-existence, being peculiarity and kernel of pictorial technique. This article compares blank`s method and aesthetics meaning, with European concept of space and blank effects, used to belong to graphics, for explanation Eastern and Western methods of arrangement space and aesthetics view to Artistic Conception. The content and field of researching in this article divided into 3 parts: First, the question of “Beyond the Boundaries” and “Sensus Communins” in Western painting and Chinese ink painting. Second, cover the question of form in Western painting and Chinese ink painting. Third, analyzing works in regarding with recently appeared topic “Changing occupation”. Touching upon analyze of creativeness, this article underlines co-influence of Western-Eastern painting images and theory, explains the investigation scene of this theme. This article includes methods of expression into lines and space on canvas, based on difference between Eastern and Western painting technique skills and aesthetics views. Afterword, throughout Formalism making discussion, also, in accordance with Blank performing, make literary review and research, at the same time, points out basic of creative theory of personal works. I will to continue on the basis of western art forms conception, integrate the idea of emptiness in traditional Chinese ink painting. I hope to collide another kind of new creative spark.