Playful Memory. Fantastic Land─Statement of Chinese Ink Painting Creation by Chen Yi-Hsin

[[abstract]] This research thesis mainly focuses on the derivation of mind images in self-awareness as the starting point, and discusses the energetic significance of contemporary art. By the way of self-dialogue, this achieves the spiritual aspects for the symbol transmission. From the self-awareness, this thesis inspects indirectly of the intrinsic psychological mood, responses each behavior for the fantastic images, and analyzes each concealed language. In addition, this research thesis attempts to allow this argument and the characteristic to have the connection with the creational images. Besides, taking advantage of famous psychologist, Carl Gustav Jung (1875-1961), I use the idea of “collective unconscious” as the axel of this thesis. Through elaboration of viewpoints such as archetype and shadow at the same time, this connects with my own creation and make an analysis which links the creation of unconsciousness psychic writing and the consciously self-mood together again. Cuts thorough into direction of unconscious, the discussion focuses on memory, fantasy and so on the behavior of thoughts. Seeking variety of ways, this presents each picture with psychological idea. Again, by the way of the drawing style, constitution and form, transfers the way of play into the inspection of reading. Also, images are decomposed by the semantics of visual art. As a result, concepts of abstract distortion and flat -like space elaborate purely writings of intrinsic spirituality. Continues this idea with the drawing in the form of analysis, and uses the layout arrangement of pictures, the process of visual focal point builds up visualization of pictures. The situation is represented through special types of material medium. This is also mixed with the computer cartography which attempts many different styles of picture design. Both integrate with the ideas, create more possibilities, and also make the idealistic discussion of symbolic language for the traditional Chinese ink painting. Therefore, this causes to model individual special characteristic and to create new vocabulary for the Chinese ink painting.