This paper probes the connections between Rainer Maria Rilke and Janet Frame, emphasizing the temperamental and aesthetic similarities linking the two writers, and examining in particular the differential quality which informs an approach to prose-writing characterized by its constant gesturing towards poetry. While Frame's recourse to a modernist idiom seems to privilege an intense focus on her own artistic medium, felt to be divorced from any easily recognizable existential reality, it can be shown that her linguistic utopia, unlike Rilke's, finally fails to incorporate the promise of a restoration of reference or 'fullness' that would follow upon its realization within the text
This study of the poet Rainer Maria Rilke (1875-1926) explores both epistemological and ontological ...
This thesis investigates the claims Janet Frame makes for the imagination in her novels and three vo...
This essay examines a lesser known poetic cycle by Rainer Maria Rilke (1875–1926): Aus dem Nachlaß d...
Rilke’s novel «The Notebooks of Malte Laurids Brigge» and his early diaries provide basis for the ge...
Often regarded as the greatest German poet of the twentieth century, Rainer Maria Rilke (1875–1926) ...
The paper examines the impression of two paintings by the Danish painter Vilhelm Hammershøi (1864-19...
Rainer Maria Rilke has been one of the most challenging and fascinating issues of Slavic and compara...
Scandinavia rightfully belongs to Rainer Maria Rilke’s spiritual geography. Scandinavia, which he vi...
In the summer of 1913, Rilke spent two weeks in the Black Forest resort of Bad Rippoldsau, where he ...
Rainer Maria Rilke, Austrian poet from Prague, has been deemed one of the most innovative Germanspea...
Entre 1904 e 1910, Rainer Maria Rilke escreveu seu único romance, Die Aufzeichnungen des Malte Lauri...
Rainer Maria Rilke’s early verse is often seen as having little relevance to the great achievement o...
This essay explores two poets, Rainer Maria Rilke and H.D., as they enact a form of “self-help” or “...
This article focuses on the parallels between the metaphorical worlds of two writers, namely, the Li...
The author discusses the image of the poet in Marina Cvetaeva’s, Boris Pasternak’s and Rainer Maria ...
This study of the poet Rainer Maria Rilke (1875-1926) explores both epistemological and ontological ...
This thesis investigates the claims Janet Frame makes for the imagination in her novels and three vo...
This essay examines a lesser known poetic cycle by Rainer Maria Rilke (1875–1926): Aus dem Nachlaß d...
Rilke’s novel «The Notebooks of Malte Laurids Brigge» and his early diaries provide basis for the ge...
Often regarded as the greatest German poet of the twentieth century, Rainer Maria Rilke (1875–1926) ...
The paper examines the impression of two paintings by the Danish painter Vilhelm Hammershøi (1864-19...
Rainer Maria Rilke has been one of the most challenging and fascinating issues of Slavic and compara...
Scandinavia rightfully belongs to Rainer Maria Rilke’s spiritual geography. Scandinavia, which he vi...
In the summer of 1913, Rilke spent two weeks in the Black Forest resort of Bad Rippoldsau, where he ...
Rainer Maria Rilke, Austrian poet from Prague, has been deemed one of the most innovative Germanspea...
Entre 1904 e 1910, Rainer Maria Rilke escreveu seu único romance, Die Aufzeichnungen des Malte Lauri...
Rainer Maria Rilke’s early verse is often seen as having little relevance to the great achievement o...
This essay explores two poets, Rainer Maria Rilke and H.D., as they enact a form of “self-help” or “...
This article focuses on the parallels between the metaphorical worlds of two writers, namely, the Li...
The author discusses the image of the poet in Marina Cvetaeva’s, Boris Pasternak’s and Rainer Maria ...
This study of the poet Rainer Maria Rilke (1875-1926) explores both epistemological and ontological ...
This thesis investigates the claims Janet Frame makes for the imagination in her novels and three vo...
This essay examines a lesser known poetic cycle by Rainer Maria Rilke (1875–1926): Aus dem Nachlaß d...