The phthalocyanine family, and more specifically the copper phthalocyanines (CuPcs) are the most important blue and green artists’ pigments from the end of the 20th century. This thesis focuses on the CuPc blue pigments used in the artists’ paint formulations. CuPc blue extensive use as modern artists’ pigment and its implications in conservation science are pointed out. Their discovery, chemical composition, molecular structure and general properties are also reviewed. Additionally, the polymorphism and the influence of the crystal form on the final properties of the phthalo blue pigments are discussed. A methodology using non-destructive techniques and statistical analysis is then presented. This new procedure allows the identification o...
Prussian blue is a modern synthetic pigment discovered in Berlin at the beginning of the eighteenth ...
Dissertation presented at the Faculty of Sciences and Technology of the New University of Lisbon in ...
Les pigments verts à base de cuivre étaient très répandus en peinture de chevalet entre le XVe et le...
Copper phthalocyanine (CuPc) provides the most important blue and green pigments from the 21st centu...
Since the end of the 20th century, the α-, β- and ε-copper phthalocyanine (CuPc) blue pigments are w...
Conference on Lasers in the Conservation of Artworks, LACONA XII, Lacona XII – 10-14 September 2018 ...
This thesis, funded by Patrima, Foundation for Cultural Heritage Sciences, aims to understand the ch...
Actuellement, cinq formes de bleu de phtalocyanine de cuivre sont utilisées comme pigments artistiqu...
The documentation and monitoring of cleaning operations on paintings benefit from the identification...
Cette thèse, financée par la Fondation des Sciences du Patrimoine, Patrima, a pour but la compréhens...
Pigment manufacture in the twentieth and twenty-first centuries has largely been intended for indust...
Prussia blue and phthalo blue have a particularly importance in retouching because they provided a c...
International audienceGreen copper organometallic pigments have been known since Antiquity. Some of ...
Historical colour charts provide a rich and often well-dated reference materials source for studying...
The aim of this study is to characterize pictorial pigments discovered in August 1984 by architects ...
Prussian blue is a modern synthetic pigment discovered in Berlin at the beginning of the eighteenth ...
Dissertation presented at the Faculty of Sciences and Technology of the New University of Lisbon in ...
Les pigments verts à base de cuivre étaient très répandus en peinture de chevalet entre le XVe et le...
Copper phthalocyanine (CuPc) provides the most important blue and green pigments from the 21st centu...
Since the end of the 20th century, the α-, β- and ε-copper phthalocyanine (CuPc) blue pigments are w...
Conference on Lasers in the Conservation of Artworks, LACONA XII, Lacona XII – 10-14 September 2018 ...
This thesis, funded by Patrima, Foundation for Cultural Heritage Sciences, aims to understand the ch...
Actuellement, cinq formes de bleu de phtalocyanine de cuivre sont utilisées comme pigments artistiqu...
The documentation and monitoring of cleaning operations on paintings benefit from the identification...
Cette thèse, financée par la Fondation des Sciences du Patrimoine, Patrima, a pour but la compréhens...
Pigment manufacture in the twentieth and twenty-first centuries has largely been intended for indust...
Prussia blue and phthalo blue have a particularly importance in retouching because they provided a c...
International audienceGreen copper organometallic pigments have been known since Antiquity. Some of ...
Historical colour charts provide a rich and often well-dated reference materials source for studying...
The aim of this study is to characterize pictorial pigments discovered in August 1984 by architects ...
Prussian blue is a modern synthetic pigment discovered in Berlin at the beginning of the eighteenth ...
Dissertation presented at the Faculty of Sciences and Technology of the New University of Lisbon in ...
Les pigments verts à base de cuivre étaient très répandus en peinture de chevalet entre le XVe et le...