Repetition of a piece on a concert programme is a well established, but uncommon performance practice. Musicians have presumed that repetition benefits audience enjoyment and understanding but no research has examined this. In two naturalistic and one lab study, we examined audience reaction to repeated live performances of contemporary pieces played by the same ensemble. In all studies, we asked listeners to rate their enjoyment and willingness to hear the piece again (Affective), and perceived understanding and predicted memory of the piece (Cognitive). In Study 3, we assessed immediate recognition memory of each excerpt. In all studies, Cognitive variables increased significantly. Affective reaction also increased except for one piece t...
Focusing on a single concert at the Wigmore Hall in February 2016, this paper explores audience resp...
Program notes, brief written statements provided to attendees of classical music performances, have ...
We report five experiments in which listeners heard the beginnings of classical minuets (or similar ...
Repetition of a piece on a concert programme is a well-established, but uncommon performance practic...
Post-tonal music often poses perceptual and cognitive challenges for listeners, potentially related ...
Many classical music listeners attend concerts with some knowledge of the music to be performed, esp...
PhDEMBARGOED UNTIL 01/06/2014Repetition – of speech, of movement and in structure – raises questions...
Music tends to be highly repetitive, both in terms of musical structure and in terms of listening be...
This thesis investigates the factors that affect the enjoyment of classical music concert attendanc...
In a 2010 study, Elizabeth Margulis finds that audience members enjoy classical music less when they...
This qualitative research explores and seeks to explain a relatively novel topic in event studies: a...
This article aims to determine the effects of exposure and title information when applied to music e...
This dissertation develops a framework for understanding and appraising the deceptively simple pheno...
What is the relation between experience, memory and time? And how does an audience verbalize their e...
There is currently much concern amongst arts organisations and their marketing departments that audi...
Focusing on a single concert at the Wigmore Hall in February 2016, this paper explores audience resp...
Program notes, brief written statements provided to attendees of classical music performances, have ...
We report five experiments in which listeners heard the beginnings of classical minuets (or similar ...
Repetition of a piece on a concert programme is a well-established, but uncommon performance practic...
Post-tonal music often poses perceptual and cognitive challenges for listeners, potentially related ...
Many classical music listeners attend concerts with some knowledge of the music to be performed, esp...
PhDEMBARGOED UNTIL 01/06/2014Repetition – of speech, of movement and in structure – raises questions...
Music tends to be highly repetitive, both in terms of musical structure and in terms of listening be...
This thesis investigates the factors that affect the enjoyment of classical music concert attendanc...
In a 2010 study, Elizabeth Margulis finds that audience members enjoy classical music less when they...
This qualitative research explores and seeks to explain a relatively novel topic in event studies: a...
This article aims to determine the effects of exposure and title information when applied to music e...
This dissertation develops a framework for understanding and appraising the deceptively simple pheno...
What is the relation between experience, memory and time? And how does an audience verbalize their e...
There is currently much concern amongst arts organisations and their marketing departments that audi...
Focusing on a single concert at the Wigmore Hall in February 2016, this paper explores audience resp...
Program notes, brief written statements provided to attendees of classical music performances, have ...
We report five experiments in which listeners heard the beginnings of classical minuets (or similar ...