This thesis takes as its starting point the dramaturgical metaphor of the world as a stage, which is used in sociological role theories. These theories often presume what stage acting is about in order to use it as a simile for every day acting. My intention is to investigate how stage actors actually work with their roles, in particular how they work with emotions, and how it affects their private emotions. The thesis draws on participant observation and interviews with actors during the rehearsal phase of two productions at a large theatre in Sweden. The results show that the inhabiting of a role for the stage is more difficult and painstaking than has been assumed in role theories so far. Shame and insecurity are common, particularly in ...
This contribution aims to identify and clarify emotional aspects of conducting observation studies. ...
This contribution aims to identify and clarify emotional aspects of conducting observation studies. ...
This contribution aims to identify and clarify emotional aspects of conducting observation studies. ...
This thesis takes as its starting point the dramaturgical metaphor of the world as a stage, which is...
The work of stage actors has long been used as a simile for every day role playing, generating theor...
The work of stage actors has long been used as a simile for every day role playing, generating theor...
The work of stage actors has long been used as a simile for every day role playing, generating theor...
The work of stage actors has long been used as a simile for every day role playing, generating theor...
We examine the distinctions between ‘playing’ and ‘playing at’ and between deep and surface acting m...
We examine the distinctions between ‘playing’ and ‘playing at’ and between deep and surface acting m...
We examine the distinctions between ‘playing’ and ‘playing at’ and between deep and surface acting m...
This contribution aims to identify and clarify emotional aspects of conducting observation studies. ...
The primary argument in this thesis is that the common assumption that an actor has emotion inside h...
This contribution aims to identify and clarify emotional aspects of conducting observation studies. ...
The primary argument in this thesis is that the common assumption that an actor has emotion inside h...
This contribution aims to identify and clarify emotional aspects of conducting observation studies. ...
This contribution aims to identify and clarify emotional aspects of conducting observation studies. ...
This contribution aims to identify and clarify emotional aspects of conducting observation studies. ...
This thesis takes as its starting point the dramaturgical metaphor of the world as a stage, which is...
The work of stage actors has long been used as a simile for every day role playing, generating theor...
The work of stage actors has long been used as a simile for every day role playing, generating theor...
The work of stage actors has long been used as a simile for every day role playing, generating theor...
The work of stage actors has long been used as a simile for every day role playing, generating theor...
We examine the distinctions between ‘playing’ and ‘playing at’ and between deep and surface acting m...
We examine the distinctions between ‘playing’ and ‘playing at’ and between deep and surface acting m...
We examine the distinctions between ‘playing’ and ‘playing at’ and between deep and surface acting m...
This contribution aims to identify and clarify emotional aspects of conducting observation studies. ...
The primary argument in this thesis is that the common assumption that an actor has emotion inside h...
This contribution aims to identify and clarify emotional aspects of conducting observation studies. ...
The primary argument in this thesis is that the common assumption that an actor has emotion inside h...
This contribution aims to identify and clarify emotional aspects of conducting observation studies. ...
This contribution aims to identify and clarify emotional aspects of conducting observation studies. ...
This contribution aims to identify and clarify emotional aspects of conducting observation studies. ...