Reflections about the artistic formation of the sevillian sculptor Bartolomé García of Santiago

El hallazgo del contrato de aprendizaje del escultor Bartolomé García de Santiago con el maestro escultor Antonio Cardoso de Quirós en 1699, desestima la teoría aceptada durante mucho tiempo, que situaba al artista como discípulo de Francisco Antonio Gijón.The finding of the articles of apprenticeship of the sculptor Bartolomé García of Santiago with the main sculptor Antonio Cardoso de Quirós in 1699 scorns the theory accepted during a long time that it was placing the artist as disciple of Francisco Antonio Gijón