This paper discusses depictions of space in contemporary tourist souvenirs manufactured by private companies that explicitly undertake defining and promoting Taiwan for a local and international audience. They highlight "Taiwan" as the nation’s name, associate it with the island's map as national territory, and fill this territory not only with iconic landmarks, but above all with ordinary, familiar spaces and sights. The latter are de-naturalised for the purpose of building national identity understood as a specifically Taiwanese way of life. As historical palimpsests, the depicted landscapes also construct a national heritage not based on a single, local tradition, but shaped by manifold native and external factors. This definition of Tai...
There has been a concerted effort to develop and effectively manage a definition of a "sense of plac...
Since the 1970s, Taiwan has been gradually moving towards a new transitional stage in which many new...
Exemplifying with two Taiwanese national museums built in the 1950s and 1960s, this paper demonstrat...
This paper discusses depictions of space in contemporary tourist souvenirs manufactured by private c...
This paper, based on textual analysis and interviews, offers a complementary perspective of scholarl...
Taiwan’s openness to outside influences which have shaped its history and present-day culture has be...
Positioning Taiwan in a Global Context examines modern Taiwanese culture through the prism of global...
There has been a concerted effort to develop and effec-tively manage a definition of a “sense of pla...
After brief reviews of the theoretical concepts relating to place and ecomuseological processes this...
In the struggles for political and cultural hegemony that Taiwan has witnessed since the 1980s, the ...
This is a part of a large project entitled ‘Refracted Colonial Modernity’ led by Kikuchi and funded ...
Abstract: After brief reviews of the theoretical issues relating to place and ecomuseological proces...
In the search for a Taiwanese identity rooted in the land of Taiwan the Japanese colonial past plays...
With its disputed international status and a recently proindependence government, Taiwan is striving...
The chapter examines the construction of a national landscape and the invention of a mythical origin...
There has been a concerted effort to develop and effectively manage a definition of a "sense of plac...
Since the 1970s, Taiwan has been gradually moving towards a new transitional stage in which many new...
Exemplifying with two Taiwanese national museums built in the 1950s and 1960s, this paper demonstrat...
This paper discusses depictions of space in contemporary tourist souvenirs manufactured by private c...
This paper, based on textual analysis and interviews, offers a complementary perspective of scholarl...
Taiwan’s openness to outside influences which have shaped its history and present-day culture has be...
Positioning Taiwan in a Global Context examines modern Taiwanese culture through the prism of global...
There has been a concerted effort to develop and effec-tively manage a definition of a “sense of pla...
After brief reviews of the theoretical concepts relating to place and ecomuseological processes this...
In the struggles for political and cultural hegemony that Taiwan has witnessed since the 1980s, the ...
This is a part of a large project entitled ‘Refracted Colonial Modernity’ led by Kikuchi and funded ...
Abstract: After brief reviews of the theoretical issues relating to place and ecomuseological proces...
In the search for a Taiwanese identity rooted in the land of Taiwan the Japanese colonial past plays...
With its disputed international status and a recently proindependence government, Taiwan is striving...
The chapter examines the construction of a national landscape and the invention of a mythical origin...
There has been a concerted effort to develop and effectively manage a definition of a "sense of plac...
Since the 1970s, Taiwan has been gradually moving towards a new transitional stage in which many new...
Exemplifying with two Taiwanese national museums built in the 1950s and 1960s, this paper demonstrat...